Nearly 12 years ago I found myself sitting with Bob Simon at Gabriel’s restaurant, a60 Minutes haunt, discussing a possible profile of the Russian maestro Valery Gergiev. Smeeta Sharon, a friend of Bob’s from the Metropolitan Opera had a feeling the brilliant, globe-trotting maestro would make a great profile and Simon acted on it. That lunch was like reaching the peak of Mt. Everest for me: Several months later we were in St. Petersburg attending countless performances at the Mariinsky Theatre and celebrating the 300th anniversary of the city’s founding, as Bob interviewed Gergiev, who was orchestrating the events, and the 60 Minutes crew shot hours upon hours of footage.
34th Annual News & Documentary Emmy AwardsBob Simon was a consummate war reporter and foreign correspondent, to be sure, but he was like a kid in a candy shop when it came to classical music, especially opera. He might not have been intimidated by world leaders, but when it came to meeting one of his favorite singers, you sensed he was in awe. We developed an enduring friendship after that, in part because of his devotion to classical music. In an era when it has become nearly impossible for classical music to carve out even a few minutes on network or cable television, Bob went out of his way to get stories from that world on the air. It’s fitting that the last of his 27 Emmy Awards was for a story about a Congolese children’s orchestra with makeshift instruments.