RUTHFULLY YOURS

The targets in all the Paris attacks were not chosen “randomly.” Charlie Hebdo stood for the Enlightenment value of free speech, for the right to challenge, even to make fun of figures who deem themselves above criticism: politicians, religious leaders, the rich and famous. It stood for the right to be secular: for refusing to fence off religion, or award believers greater respect than non-believers.

Like the attempts to shut down all criticism of Islam — whether in novels such as Salman Rushdie’s The Satanic Verses, cartoons such as those of Muhammad drawn and published in Denmark, or debates between academics — the Charlie Hebdo killings were intended to instil fear and silence all honest discussion of Islam and its values.

Through bold criticism in a secular manner, European states have been able to create a more pluralistic, tolerant, and humane culture. For devout Muslims (not just radicals), this is blasphemy of the worst sort: democracy, made by man and not by Allah, is evil, and tolerance for all beliefs is a path to hell.

This ongoing failure to admit that the law of jihad is explicitly cited by spokesmen for Islamic State is the root cause of our inability to fight this war. The ancestors of today’s Europeans knew how to fight against Islamic encroachment, but today, hundreds of thousands of Muslim migrants, some of them devoted to waging jihad, are being given free access to enter Europe.

Before we’re confronted with an AK-47 killer or suicide bomber, we must confront those who claim that our lives aren’t precious enough to defend.

Readers may be surprised to learn that I watch – but am not a fan of – the apocalyptic series, The Walking Dead (TWD). Of course I dismiss the notion of zombies as pure nonsense, just as I dismiss much past and current science fiction as nonsense. However, the series fascinates me because it presents, in spite of its ludicrous premise, moral dilemmas and issues related to emergency ethics. I can’t stand the graphic comic books on which the series is based. And in this culture, with its too visible protective and insular cloak of moral relativism and multiculturalism, there isn’t much else to watch on TV.

So I’m left with a series in which zombie craniums are disabled with a squelch of a knife or by a bullet or by decapitation, and in which still-living human predators are gunned down without mercy. It says a lot about our culture that virtually the only place one might find interesting and challenging moral conflicts and compelling characterizations is in a TV horror series.

Yes, this column is connected to the Islamic raid on Paris on November 13th, and it’s about an element of “mercy” that has been introduced in the series.

In one of the very first episodes of Season One of TWD we are introduced to Morgan Jones (played by British actor, Lennie James), who saves deputy sheriff Rick Grimes (played by another Brit, Andrew Lincoln; James and Lincoln’s Georgia accents, characters, and on-screen persona are so convincing you’d hardly believe these actors are British) after the latter awakens from a coma to find the world gone to hell. He was shot by a criminal after a car chase through the Georgia countryside before the apocalypse.