https://quillette.com/2019/04/10/michel-houellebecq
A review of Serotonine (French Edition), by Michel Houellebecq. French and European Publications Inc (January 3, 2019), 352 pages.
Michel Houllebecq, the bestselling French novelist and provocateur, has a knack for predicting disasters. His sex-tourism novel Plateforme (2001) featured a terrorist incident at a resort in Thailand that was eerily similar to the 2002 Bali bombings. Soumission (2015) was released on the day of the al-Qaeda-linked Charlie Hebdo massacre in Paris; the novel’s subject (an Islamist takeover of France) made the coincidence distinctly uncomfortable. Now Houellebecq’s most recent book, Sérotonine (2019), appears to have foreseen the ‘gilet jaune’ (‘yellow vest’) protests that have rocked France since November.
Clearly Houellebecq saw something like this coming, and understood that it was inevitable. Yet for all his perspicacity, Houellebecq is often dismissed as a mere literary troll. Certainly he has a troll’s gift for identifying weak spots in his targets, and then attacking them relentlessly. He is not above this sort of nihilistic glee; but unlike a normal troll, he focuses his rage and disgust, not on random individuals, but on the culture that has grown to dominate the French governing class in the wake of the May 1968 student protests in Paris.
Houellebecq is not a conventional literary artist, or a particularly skilled one. His attempts at philosophical discussion cannot withstand scrutiny for long. He has little critical acumen; even his opinions are, for the most part, conventional and unsurprising, except (sometimes) in their provocative manner of expression. Where Houellebecq stands out from his peers is in his freakish gift for observation. He is not a lyrical writer or a storyteller: he is a seer.