https://www.nationalreview.com/2019/11/movie-review-harriet-woke-entertainment/
It’s the Jaws of slavery movies — woke entertainment as a joke.
As Harriet Tubman — played by British musical actress Cynthia Erivo in the new historical film Harriet — inspires more and more Southern black slaves to desperately join her run for freedom in the North, a newly converted collaborator confides, “We’re gonna need a bigger cart!”
What kind of anachronistic nonsense is this? Both the history and the legend of the Underground Railroad, and the courageous woman who led herself and others out of bondage, are now jokes of woke entertainment. That the film grossed $12 million (a small yet surprising sum) on its opening weekend suggests some moviegoers seem as ready to enjoy this travesty as slaves were ready for liberation. In terms of calculated crowd-pleasing, Harriet is the Jaws of slavery movies.
Set in 1849 Maryland, full of danger, rescues, superstition, frivolous gunplay, and pop-politics, Harriet demonstrates the current exploitation of African-American history, through historical revision, simply to sell tickets while aggravating political identity, tribal separation, and perpetual grievance — the same way that politicians manipulate voters.
Ever since Harvey Weinstein confirmed Hollywood’s Obama Effect, film culture has sought various ways of appeasing racial anxiety through movies about black victimization and white guilt. It’s the new diversity, as one of Harriet’s progressives summarizes: “Civil war is our only hope.”