https://www.city-journal.org/classical-music-cancels-russians
Compelled speech is becoming routine in academia. On campuses, faculty candidates for hiring and tenure increasingly must attest to their dedication to diversity to be considered for a job or a promotion. At least one university requires professors to post a “land acknowledgement”—a statement declaring that the space being used was originally the habitation of indigenous people—on their syllabus page.
Now the classical music establishment is adopting that same norm. Russian musicians are being asked to condemn President Vladimir Putin’s invasion of Ukraine to retain jobs and performing engagements in the West. Staying above the fray is not an option, and denouncing the war will not ward off cancellation. Russian musicians must criticize Putin by name or be blacklisted.
Classical music’s recent self-abasement for its “whiteness” laid the groundwork for this presumptive group guilt. Since the George Floyd race riots in May and June 2020, directors of orchestras, opera companies, and conservatories have lambasted their own field for its historical demographics, said to be inextricably linked to racism. Music critics have sneered at Beethoven and other composers for having allegedly leveraged their whiteness to achieve undeserved acclaim. Mea culpas and promises of fealty to Black Lives Matter have become de rigeuer in mission statements and fundraising pitches. Now these coerced confessions are demanded of a subset of musicians whose Russianness makes them as suspect as whiteness does the entire Caucasian population. Even Russian music itself faces a political litmus test.