https://www.19fortyfive.com/2023/06/seeing-our-adversaries-with-clear-eyes
Middle-aged men finish their work for the day, overseeing exterminations at Auschwitz, and retire to the comfort of their homes, wives, and children. Young female telephone, telegraph, and radio operators who send and receive messages about who shall live and who shall die take a break to relax in the sun.
It was all part of life in and around history’s largest killing factory, as showcased in a set of jarring photos that are housed at the U.S. Holocaust Memorial Museum and that come to life in a moving new play, “Here There Are Blueberries” – which premiered in La Jolla and just passed through the Shakespeare Theatre in Washington.
The photos and play call to mind “the banality of evil,” the phrase that philosopher Hannah Arendt coined in Eichmann in Jerusalem, her book about Adolf Eichmann’s trial in Jerusalem in 1961. She concluded that Eichmann, who helped spearhead Hitler’s “final solution,” was less a monster than a normal person, “terribly and terrifyingly normal.” He was a former day laborer who could perform the evilest of deeds with nary a moral concern, a cog in a machine of ordinary people, living otherwise ordinary lives, in a country renowned for its advanced culture.
We see Auschwitz’s worker bees, but we also see top Nazi leaders – including Rudolf Hoss, who was most responsible for building Auschwitz and was its longest-serving commandant, and Josef Mengele, the “Angel of Death” who performed the vilest of medical experiments on its prisoners.
Thus, the play offers lessons not just about the multifaceted drives of average people, but about those of individual leaders.
The play centers around 116 pictures and captions in an album that was assembled in meticulous fashion by Karl Hocker, a top aide to Auschwitz’s last commandant, Richard Baer.