https://jewishjournal.com/commentary/opinion/366431/in-israels-time-of-need-jewish-hollywood-has-failed-the-audition/
For a people that purportedly invented, and now control, Hollywood, Jews are awful at making demands—as Jews. There’s a reason why those early nickelodeons featured silent cowboy-westerns and scant Jewish immigrants. Jewish invisibility continued into the talkie era—more cowboys, wicked witches, tap dancers in gowns and tuxedos, a gin joint in Casablanca, and, yes, one Jewish jazz singer. Jewish characters didn’t only find themselves left out of the picture, they weren’t even on the cutting room floor. And as for silence, well, . . . that’s a Jewish specialty when it comes to standing up for their own people.
Antisemitism has overtaken America in ways not seen since the 1930s, when Hitler was ascending in Europe and the Depression caused pernicious divisions within the United States. The Jewish influence in Hollywood was never greater among studio chieftains and writers back then, but the motion picture industry had nothing to say about Hitler’s plan for European Jewry.
Some studio heads still had families in Europe. And they were at the helm of the ultimate megaphones and spotlights. But there was no golden hour for the Holocaust. Hollywood’s cameras were dark. The Third Reich was the second largest market for movies in the world—and foreign sales, in industry speak, is the Golden Calf. It wasn’t until Charlie Chaplin’s “The Great Dictator” (1940), as Auschwitz was beginning to burn, that Hollywood realized that the number of Jewish actors and extras in the world was rapidly shrinking.
And Chaplin wasn’t Jewish!
There’s a sequel to this sad story playing out all over again, an even more inexplicable example of how La La Land goes all blah blah rather raise the red flag for Jews. In the aftermath of the October 7th massacre in Southern Israel, which included the most gruesome and unimaginable of all horror flicks—the beheading and baking of Jewish babies, and the gang raping and mutilation of Israeli teenagers—sympathy for Israel evaporated before it even started. Instead, there was the surreal solidarity with Hamas. The victims were thrust into the woke paradigm as oppressors; and the terrorists were reincarnated as the resistance.