Before Jack Higgins, Ian Fleming, Frederick Forsyth, Wilbur Smith and all the other authors who have made the wrongly accused rogue male their hero, there was John Buchan’s urbane and gentlemanly Richard Hannay, still the most endearing of the lot
A century after publication, John Buchan’s The Thirty-Nine Steps remains the quintessential spy thriller. There is no need to rediscover this novel, since it has never gone away. No work of fiction published during the Edwardian period is more widely available in bookstores in as many mass-market and scholarly editions. The presence of The Thirty-Nine Steps in popular culture has spread even further—the book’s title has a life of its own.
It is one of the first adult adventure novels I can remember reading, part of an early teenage thriller binge that included Jack Higgins, Ian Fleming, Frederick Forsyth and Wilbur Smith, and a phase followed by a lasting engagement with the likes of Eric Ambler, Joseph Conrad and John le Carré.
The writing career of John Buchan, who died in 1940, predates all of the other authors I have just mentioned except Conrad. The Thirty-Nine Steps is the forerunner to countless subsequent spy thrillers and action movies where a lone hero is pitted against the forces of darkness, which is the scenario used by virtually all of them.
The Thirty-Nine Steps has spawned four feature-film adaptations, the first and best-known of which was directed by Alfred Hitchcock and released in 1935. The novel has also been adapted many times for radio, most notably for broadcast by Orson Welles’s Mercury Theatre in 1938. In recent years a comic stage version based on the Hitchcock film has been performed in many countries throughout the world, including South Korea, Russia, Israel, Poland and Australia, as well as enjoying a long run on the London stage that, at the time of writing, continues.