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Ruth King

Ted Cruz Beats Donald Trump in Iowa’s GOP Race By Patrick O’Connor and Janet Hook

DES MOINES, Iowa—Texas Sen. Ted Cruz outmuscled Donald Trump to win the first-in-the-nation Iowa caucuses on Monday, delivering a stinging rebuke to the celebrity businessman and establishing himself as a leading contender for the GOP nomination.

The results Monday set the stage for a series of high-stakes showdowns in the weeks ahead between the top two finishers and Florida Sen. Marco Rubio, whose appeal as a general-election candidate was good enough for a late surge that nearly overtook Mr. Trump.

“Tonight is a victory for the grass roots,” said Mr. Cruz to a raucous victory party in Des Moines. “Tonight is a victory for millions of Americans who have shouldered the burden of seven years of Washington deals run amok.”

Mr. Trump kept his post-caucus remarks brief, thanking his family and the state of Iowa before turning his attention to contests that follow. “We love New Hampshire, we love South Carolina,” he said.

Defining Presidential Down If this election is so crucial, why have the front-runners been so awful? By Bret Stephens

In 2014 I wrote a book that made the case that the United States, for all of its problems, was not in decline. Now and again I have my doubts.

The results of Monday’s Iowa caucus won’t be known until after this column goes to print. But here’s what we know already about the four top contenders. No prizes for matching names to descriptions:

1) A compulsive liar with a persecution complex, a mania for secrecy, and a bald disdain for rules as they apply to lesser people.

2) A bigoted braggart with a laughable grasp of public policy and leering manners of the kind you would expect from a barroom drunk.

3) A glib moralizer who is personally detested by every single senator in his own party, never mind the other one.

4) A Sixties radical preaching warmed-over socialism to people too young to know what it was or too stupid to understand what it does.
Such are the character traits of the candidates now vying to possess the nation’s nuclear launch codes. This being a free country, they are entitled to their ambitions. This also being a democracy, we are responsible for our political choices. So how is it that we have come to choose this?

ISIS beheads boy; parents watch : Martin Barillas

Islamic State terrorists beheaded a 14-year-old boy in front of his parents, according to ARA News. The murder took place on January 30 in Jarablus – a city in northern Syria. The report said that the boy had missed Friday prayers at the mosque.

At the worship space in central Jarablus, extremist preachers who call for an Islamic Caliphate regularly call down death sentences for alleged sinners.

Human rights campaigner Nasser Taljbini reported that the Islamic sharia court had ordered the execution of sentence to take place in public. “Dozens of people attended the brutal execution, including the victim’s parents who were forced to witness the beheading of their own son,” Taljbini said.

ISIS forces boys and adolescents to fight alongside adult terrorists and sometimes forces them to participate in beheadings of captives.

Earlier this week ISIS reportedly arrested dozens of women in Jarablus for violating the Sharia dress code. According to their interpretation of Islam, women must be fully covered from head to foot. Infractions are dealt with harshly.

MY SAY: REWARDING TERRORISM

Everyone is running to the fainting couch- shocked, shocked that Iran has given medals to the Iranian Revolutionary Guards who recently captured and humiliated American sailors.

The act is heinous and they’ll probably get more millions from Obamakerry, but where is the outrage or at least some empathy when Palarabs enabled and encouraged by Abbas name streets in honor of terrorists who kill Israeli civilians including women, and children and infants swaddled in their cribs?

And these are the terrorists with whom Israel is asked to negotiate and treat as partners for peace by the Eurotrash and our media and State Department…..rsk

The Month That Was January 2016 Sydney Williams

Despite rallying the last couple days of the month, world stock markets lost about $7.5 trillion in January, amid fears of global recession. According to analysts, China’s economic growth has slowed to the range of six percent. Keep in mind, however, statistics from authoritarian regimes are suspect. What we do know is that the Shanghai Index is down 22.6% year-to-date. Emerging markets have been battered by falling commodity prices. The MSCI Index is, so far, down 14.9 percent. Brazil and Russia are in recession, if not depression. Europe’s economy is flat-lining, which comes as no surprise given the role of the state in the economy. Economic growth in the U.S. has been anemic – growing at two percent – since the end the “Great Recession” in early 2009. In fact, U.S. GDP growth has not exceeded 2.7% for ten years. Last Friday’s preliminary report on fourth quarter GDP showed growth at 0.7 percent. Free markets have been hamstrung by state intervention (i.e., healthcare, higher taxes, extraordinary low interest rates and increased EPA regulations). It has led to a loss of confidence, and a reduction in forward visibility.

Not even the 2800 delegates to the World Economic Forum in Davos (who, incidentally, flew in on 850 private jets) could lift expectations. Curiously, the theme of this year’s conference, which went from January 19th to the 23rd, was that the world is on the cusp of a fourth industrial revolution. It is generally acknowledged that the first industrial revolution began in England in the late 18th Century and extended into the second half of the 19th. The second, most would agree, began with Henry Ford’s development of the assembly line in early 1920s America. The third, according to The Economist in an April 2012 cover story, is the one we are currently in – artificial intelligence, genetics, 3-D printing, nanotechnology, robotics, etc., the same drivers mentioned two weeks ago in Davos as the fourth. It was not made clear if the business, banking, government and media elites who descended on Davos pulled a Rip Van Winkle, but world economic conditions suggest they haven’t been paying attention. Something is wrong.

Why the Left Can’t Understand Islam Learning the truth about Islam would destroy the Left. Daniel Greenfield

The left’s greatest intellectual error is its conviction that the world can be divided into a binary power struggle in which both sides agree on the nature of the struggle, but disagree on the outcome.

For leftists of a certain generation, it was class. Marx began the Communist Manifesto by laying out a primal class struggle throughout human history. For Marxists, everything in the world could be broken down to a class struggle with the wealthy oppressors on one side and the oppressed on the other.

It didn’t matter that this model didn’t fit a reality in which Communists leaders came from wealthy backgrounds and their opponents were just as likely to be poor peasants. To the left, everything is defined by the model. Reality is an inconvenience that is suppressed with gulags and firing squads.

Today the variable is identity politics. Everything must be intersectional. There are those who stand on the right side of history, in favor of abortion, gay marriage and illegal immigration. Everyone who isn’t on board is a racist, even if they’re black or Latino, a sexist, even if they’re female, or a homophobe, even if they’re gay. Once again, reality doesn’t matter. The binary struggle is the model for everything.

Manhattan Blues (The Cyrus Skeen Mysteries) (Volume 14) Paperback – by Edward Cline

It is March, 1929. Cyrus Skeen is called to New York by his father, Garnett Skeen, to attend to some trust fund affairs. Skeen’s detective agency is subsidized by a trust fund his father set up years before, but his mother, Eleanor “Nellie” Skeen, wishes to set up her own trust fund for her son. A daughter of an Oklahoma oil magnate, she is “very well situated” in terms of wealth. Skeen’s parents, however, are driving to Nags Head in the Outer Banks of North Carolina to spend the rest of the winter. The elder Skeen tells his son that he must prove his existence for a new bank officer who will be administrating the new trust fund; therefore, Skeen must travel to New York City. In New York, he meets an alluring and tempestuous opera singer, Brianna “Ginger” O’Quill. During one of her performances at the Metropolitan Opera, he goes backstage and kisses the diva’s hand. She interprets the gesture as an invitation to pursue him, which she does even though she knows he is married and in love with his wife, Dilys. But a rival for her attentions is jealous and attempts to murder Skeen – or O’Quill…or anyone.

Hope is not a strategy Since Israel is going to be attacked no matter what it does, we might as well do things that advance our interests. Caroline Glick

Our government is playing games with itself. And losing.

On Wednesday Chaim Levinson reported in Haaretz that for the first time in nearly two years, last week the Civil Administration of Judea and Samaria approved new building plans for a small number of Jewish communities in Judea and Samaria.

Levinson also reported that last month Jerusalem’s municipal planning and building commission gave final approval to plans to build nearly 900 housing units in the southern neighborhood of Gilo. Initial approval was granted back in 2012.

But in the intervening three years, the commission refused to allow them to go forward.

From the report, we learn that the government’s critics in Jerusalem, Judea and Samaria who claimed that it was barring Jewish building were right all along. Despite the government’s denials, the fact is that for at least the last year and a half, Prime Minister Benjamin Netanyahu and his ministers maintained an undeclared freeze on construction for Israeli Jews in Jerusalem, Judea and Samaria.

During this period, Jews have only been permitted to build in these areas either on the basis of plans that had received final approval before the unofficial freeze took effect, or in cases where refusal to approve building would have involved admitting that a freeze was in effect. So, for instance, in areas where the rights of Jews to their property in Judea and Samaria have been challenged before the Supreme Court by EU-financed Israeli NGOs like Yesh Din, the government has defended those rights and so given permission for Jews to exercise their property rights.

The government opted to enact this unofficial building freeze, and so trample the civil rights of hundreds of thousands of Israeli citizens, in the hopes of convincing the Obama administration to protect Israel from Palestinian efforts to pass anti-Israel resolutions at the UN Security Council.

The Problem with Jewish Museums Ours is an era of museums celebrating the identity of nearly every group and ethnicity. But something else takes place when the identity in question is Jewish.by Edward Rothstein

In more than a decade of writing about museums, first for the New York Times and now for the Wall Street Journal, I’ve reviewed history museums, science museums, political museums, and museums created by eccentric collectors. I’ve visited two museums devoted to neon signs and one to ventriloquists’ dummies, a creation-science museum and a science-fiction museum. I’ve seen human mutations preserved in glass jars and coffee beans sent to Confederate soldiers during the Civil War, a mummified cat and a fragment of Jeremy Bentham’s skin. But I haven’t seen anything quite so strange as the ways in which various Jewish communities in the United States, in Europe, and in Israel have come to depict themselves in museums.

From the Skirball Museum in Los Angeles and the National Museum of American Jewish History in Philadelphia to the Contemporary Jewish Museum in San Francisco and the Spertus Museum in Chicago, from the Jewish museums in London, Vienna, Berlin, Istanbul, and Israel to Holocaust museums in more cities than that, there are peculiarities in interpretation and advocacy that demand close examination. The objects on display at such institutions may range from a baseball signed by Sandy Koufax to the important Old Yiddish journal kept by a woman in 17th-century Germany, an excavated London mikveh from the 13th century (just before Jews were expelled from England), and fragments of parchment buried two millennia ago in Dead Sea caves. But all of these disparate instances disclose a surprisingly consistent self-image—one revealingly distinct from anything else in contemporary museum culture.

Before going farther, it is worth thinking briefly about origins. The great museums of the 18th and 19th centuries—the Kunsthistorisches Museum in Vienna (1891), the British Museum in London (1753), the Louvre in Paris (1792), the State Hermitage in St. Petersburg (1764), and many others—were encyclopedic in scope and ambition. Born, in part, of an imperial impulse, they aimed to demonstrate the geographical and intellectual range of great national powers by becoming repositories of some of the most precious objects on earth. Simultaneously, they were shaped by the Enlightenment conviction that both the natural and human worlds could be understood and even mastered by subjecting their diverse offerings to scientific analysis and discerning the universal laws at work in the midst of miscellany. The Enlightenment museum tried to answer great human questions: where did we come from? what is the significance of what we see? how have we come to be its overseer?

The Hills Beyond How an Appalachian range became the Catskills. | By Jay Weiser

Stephen Silverman and Raphael Silver offer a boisterous, colorful history of New York’s Catskill Mountains, but like the tummlers of yesteryear, once they depart, it’s hard to remember what the noise was about. The Catskills have always been at the edge of the American experience—a hinterland of New York City. Unlike William Cronon’s classic Nature’s Metropolis: Chicago and the Great West, which examined how 19th-century Chicago transformed the Midwest’s ecology and economy, The Catskills offers loosely linked stories where the Big Apple is forever popping up to take over the narrative.

As the authors note, only in the last two centuries have people even called the Catskills a single mountain range. Despite heroic efforts to unify the story, the book is really about three regions: the Hudson Valley, at the center of American history and culture from 1750-1850; the remote, central Catskills, forever wild by statute and the primary source of New York City’s water supply; and the southern Catskills, famed for their 20th-century Jewish resorts.

The problems with the Catskills-as-autonomous-region start at the beginning. The Hudson River was a water highway in both the French and Indian War and the American Revolution, but the theater’s key events took place far south, in Manhattan, and far north, in the region’s Lake George-Lake Champlain extension. The authors somehow discern George Washington’s tactical genius from his string of New York military disasters in 1776, but it hardly matters: Washington never fought in the Catskills.

They turn to Washington Irving’s short stories, “The Legend of Sleepy Hollow” and “Rip Van Winkle,” which satirize the vanishing Dutch world of the Hudson Valley and the disconcerting changes in postrevolutionary society. Irving was actually a New York City and Europe-based writer—though like his antihero Ichabod Crane, he later resided in the Hudson Valley on the opposite bank from the Catskills. Fortunately, two of James Fenimore Cooper’s Leatherstocking Tales, which similarly contrast the vanishing Native American culture with that of the European-descended frontiersmen, are actually set in the Catskills.

The Hudson River School painters also contrasted the vanishing rural world with the booming 19th-century economy. Even as the Hudson Valley bustled with tanneries, factories, and bluestone quarries providing the paving for New York City’s sidewalks, painter Thomas Cole and his fellow Romantics found the sublime in Katterskill Falls, setting nature’s untamed magnificence against civilization’s distant encroachments. Lacking an eye for art—or, perhaps, adequate search skills in Google Images—Silverman and Silver contrast the Hudson River School painters with the allegedly “cold” landscapes of England’s J. M. W. Turner, which were far more melodramatic exemplars of Romanticism.