‘Would you force anyone else to behave like this?’ the promoters of the UK Jewish Film Festival asked the artistic director of London’s Tricycle Theatre.
Indhu Rubasingham and her colleagues dodged and hummed. They didn’t like the question and did not want to reply to it. The silence was an answer in itself. Of course the theatre would not hold others to the same standard: just Jews.
Accusations of racism are made so often it is hard to see the real thing when it looks you in the eye. Let me spell it out for you. Racism consists of demanding behaviour from a minority you would never dream of demanding from your friends; forcing them to accept standards or privations because of their race.
The Tricycle banned London’s annual Jewish Film Festival yesterday – cancelling 26 showings and six gala performances – after Rubasingham demanded that the festival organisers return a small sum – about £1,400 – they had received from the Israeli embassy. The grant did not come with political conditions attached, any more than an Arts Council grant from the British state comes with insistence that artists promote the policies of the British government. The organisers were not desperate for the money, particularly after the Tricycle offered to cover the loss. (Or rather offered to cover it with taxpayers’ money from its £725,000 Arts Council grant.) The organisers refused to comply nevertheless. The Tricycle administrators, who included the inevitable progressive Jew, were trying to force them into a political gesture; to make them prove that they accepted its politics before it would let them exhibit their work.
The Tricycle has not gone through the minutiae of the funding for any other group that has visited its premises. It does not demand that comedians and actors issue manifestos that meet with its approval before allowing them to appear. The Tricycle’s press spokeswoman, a hapless flak catcher named Kate Morley, told me that she couldn’t think of any other instance when it had imposed political conditions on performers that had no relevance to the work they were proposing to perform.
I could go on at length about how the conditions are irrelevant; how the Jewish Film Festival shows films that are sympathetic to the Palestinian cause, and tries to promote dialogue, understanding and all the rest of it. I could say that I can find no film it has shown that is propaganda for the current Israeli administration. I could add that if the arts are not a free space, where people can create without fear of intimidation, then we will not have art that is worth having, or indeed art that deserves taxpayer subsidy. I could take care to cover my own back from the inevitable ‘whatabboutery’ which greets everyone who writes on this subject, by saying that I find Israel’s behaviour in Gaza despicable.