http://www.israelnationalnews.com/Blogs/Message.aspx/5456#.Uqz-xaVF7yD
Historical Contexts: Brewing a Deadly Potion
Violins and Gas Chambers
In 1892, cofounder of the World Zionist Organization and social critic Max Nordau wrote his most famous work, Degeneration, which presented a scathing critique of European society as it devolved into what he described as a “horrible train of murder, incendiarism, rapine, [and] torture.” Nordau systematically analyzed and dismantled theories put forth by elite thinkers in his time, such as Nietzsche and Tolstoy. Specifically, Nietzsche’s premise, that, ‘there is no good and there is no evil,’ and his praise of sin as man’s ‘great consolation,’ was what Nordau found repugnant. The explicit approval of such notions was visible in European art and literature. In French society, for example, the “contempt for traditional views and customs of morality” led to conspicuous consumption and a devaluation of moral virtue, and by extent, a deterioration of societal structures which had till then promoted social cohesion. This was illustrated by the French’s inclination to imitate art which was inherently unrestrained and subject to fleeting passions as opposed to principles of decency. Nordau found the praise of such ideas and pseudo-intellectuals by elite society to be doubly offensive. In addition to advocating for morally bankrupt principles, calling such principles ‘enlightened‘ was a gross inversion of objective norms and values, a reflection of the degenerate state into which European society became immersed.