Sometimes rock ‘n’ roll can accomplish more to promote freedom than translating the Federalist Papers. (Oh Puleez!!!! I appreciate Lou Reed but this is balderdash!!!! rsk)
It is somehow fitting that rock star Lou Reed died Sunday, in this season of American national angst over government shutdowns, mounting debt and declining influence abroad. That’s because the Velvet Underground frontman not only motivated Václav Havel and the Czechoslovak dissidents who challenged their Communist rulers and helped bring down the Soviet Union. He also demonstrated why, for all we hear about Washington’s sclerosis, it is still smart to bet on America in this century as in the last.
Not that Reed himself would have put it this way. Starting in the mid-1960s, his lyrics about urban life, drugs and sexuality made him one of rock’s leading transgressives. Later he lambasted the concept of the American dream (“Give me your hungry, your tired, your poor I’ll piss on ’em/That’s what the Statue of Bigotry says”) and railed against New York Mayor Rudy Giuliani and the religious right. In recent years, he supported Occupy Wall Street and performed in Israel, even as some of his left-wing contemporaries boycotted the Jewish state.
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Former Czech President Vaclav Havel (R) and U.S. singer Lou Reed (L) arrive for a news conference in Prague, January 10, 2005. Reuters
But whatever his personal politics, Reed’s music took on a life of its own behind the Iron Curtain. In the 1970s Czechoslovakia’s anti-Communist movement coalesced around a Velvet Underground-inspired rock group called the Plastic People of the Universe. The Communist government branded the rockers enemies of the state for their long hair, crazy outfits, secret concerts and anti-authority lyrics.