David Charter Berlin
Published at 2:57PM, May 9 2013
A German opera company today scrapped its Nazi staging of a Wagner opera after the artistic transposition from the bucolic Middle Ages to the gas chambers of the Third Reich proved a goose step too far.
“Numerous” audience members at the Deutsche Oper Am Rhein’s opening night production of Tannhäuser “suffered psychological and physical stress so intense that they required medical treatment,” the opera company, based in Duesseldorf, said.
The most upsetting scene involved the central character – intended by Wagner to be a medieval travelling minstrel – dressed in SS uniform and carrying out a realistic execution of an entire family by shooting them individually in the neck.
Burkhard Kosminski, the director, who was booed at the premier on Saturday night, refused to compromise his artistic vision by removing individual scenes despite a growing chorus of outrage, the opera said in a statement yesterday.
After four days of internal wrangling, the company decided to ditch his vision altogether and carry on with the four-and-a-half hour opera tonight as a simple concert without staging and costume.
“The management of Deutsche Oper am Rhein was aware in advance of the Tannhäuser production of Burkhard C. Kosminski that its concept and implementation would arouse controversy,” the opera said in a statement on its website this morning.
“Our paramount concern was to respond to some scenes, especially the realistic shooting scene, which caused numerous visitors to suffer psychological and physical stress so intense that they required medical treatment.”
One woman contacted the Rheinische Post newspaper to complain that she had to take her husband to the doctor afterwards “because his blood pressure was significantly raised.”
Another member of the audience from Romania was seen leaving by the newspaper’s critic “bathed in sweat” complaining that the violence brought back terrible memories.
The statement continued: “After considering all the arguments we came to the conclusion that we cannot justify such an extreme impact of our artistic work….In intensive conversation with the director Burkhard C. Kosminski we discussed the possibility of changes to individual scenes. He refused for artistic reasons. As a matter of course, and also for legal reasons, we have to respect the artistic freedom of the director.
“We have therefore decided to perform Tannhäuser in concert from May 9.”
All tickets remained valid but could be exchanged, the opera added, without saying how many pre-booked seats had already been returned following the outcry.