http://www.newcriterion.com/posts.cfm/Piss-Christ—Art–and-Violence-6908
“Sneering at religion is juvenile, symptomatic of a stunted imagination,” writes Camille Paglia, an atheist, in her new book Glittering Images: A Journey Through Art from Egypt to Star Wars. She is referring directly to Piss Christ. I interviewed Paglia last Thursday about her new book at the museum of art in Philadelphia, and she made the point that religion lies at the heart of all great art. One of the reasons why the art world is spiritually and intellectually hollow today, she said, is because it continues to “sneer” at religion and think, mistakenly, that doing so is still avant-garde. It’s not. It’s old news.
Serrano’s work is not so much anti-Christian as it is anti-intelligent. So why not let the Piss Christ, and the juvenile imagination that gave birth to it, die in the light of sunlight?”
“Piss Christ” has been resurrected.
Or, at least, the controversy surrounding it has been raised from the dead, now that it is back in New York at the Edward Tyler Nahem gallery (through October 26) in an exhibit called “Body and Spirit” which celebrates the life and work of its creator, the artist Andres Serrano, whom we’ve written about before.
Over twenty years ago, in 1989, the hazy image of a crucified Christ, submerged in a jar of Serrano’s urine, created a public firestorm when conservative Sen. Alfonse D’Amato (NY) deplored it on the Senate floor as a “despicable display of vulgarity”—one that had, no less, been funded by taxpayers. Serrano was radical, but he wasn’t that radical: The so-called avant-garde artist received government support to the tune of $15,000 for the work.
Today, what’s astonishing about Piss Christ is not its vulgarity or shock-value; it is a completely mundane work of “art” which has aged as well as a cheap wine spritzer. The only merit it has is as a historical artifact of the culture wars. It is, to use the phrase of TNC art critic James Panero, a boring blasphemy.
No, what’s astonishing is that despite its third-rate stature, it continues, after all these years, to provoke its intended target to disturbing outbursts of anger and violence.
On Palm Sunday in 2011, for instance, a group of radical young Christians stormed a gallery in Avignon, France, which was displaying Piss Christ as part of an exhibit. They made their way past security, threatened a guard with a hammer, broke through the Plexiglas protecting the image, and slashed it with a sharp object. In 1997 at the National Gallery of Victoria in Australia, the work was also vandalized, and gallery officials received death threats for showing it. In 2007, a group of neo-Nazis attacked a Serrano show in Sweden (though Piss Christ was not on display there).