https://www.gatestoneinstitute.org/12569/guilt-museums-artifacts
“The fact is that we have no idea what would have become of the world’s ‘looted’ antiquities if they hadn’t been preserved in Western collections. Would the treasures of Beijing’s Summer palace have survived Mao’s Cultural Revolution? Would the Elgin marbles have survived Turkish tour guides chopping off chunks to sell as souvenirs? Would Daesh [ISIS] have spared those Middle Eastern artefacts that survive in European museums?” — Zareer Masani, historian.
When Christians in Iraq were exiled, murdered or persecuted en masse by the so-called Islamic State, the West stood silent — as if these Christians were the agents of Western colonialism and not the legitimate and oldest inhabitants of the Middle East, long before the Arabs converted to Islam.
When a mob destroyed the French Institute in Cairo, burning books and collections, those who now want to return the “colonial artifacts” stood silent. Where are our Monuments Men now?
A “sense of guilt” for colonialism is debasing the West from within, according to Professor Bruce Gilley, and authoritarian regimes such as Iran, Russia, China and Turkey are profiting from this weakness.
The Romans called it damnatio memoriae: the damnation of memory that resulted in destroying the portraits and even the names of the fallen emperors. The same process is now underway in the West about its colonial past. The cultural elite in the West now seem so haunted by feelings of imperialist guilt that they are no longer confident that our civilization is something to be proud of.
A sense of guilt now seems a kind of post-Christian substitute religion that seduces many Westerners. The French scholar Shmuel Trigano suggested that this ideology is turning the Westerners into “post-colonial subjects” who no longer believe in their own civilization, but instead what will destroy it: multiculturalism. In France, for example, a manifesto was launched for “a multicultural and post racial republic”. The result would be, in the words of the anthropologist Jean-Loup Amselle, a “war of identities” and a clash between communities. Last month, the UK Labour Party leader Jeremy Corbyn said that, if elected Prime Minister, he would order the British Museum to return to Greece the Elgin Marbles, the frieze that had surrounded the Parthenon of Athens and one of the major attractions of the British Museum. “This whole campaign is sheer lunacy,” wrote Richard Dorment. But it is a lunacy spreading all over Europe.
French President Emmanuel Macron announced that he wants to change the rules that make French public collections untouchable, and allow the return to Africa of dozens of historical artifacts now in the Louvre Museum. Macron has appointed two commissioners, the writer Senegalese Felwine Sarr and the art expert Bénédicte Savoy, to prepare a report.