“The newspaper is no longer the same, Charlie is now under artistic and editorial suffocation.” — Zineb el Rhazoui, French-Tunisian intellectual and journalist, author of Destroying Islamic Fascism.
“We must continue to portray Muhammad and Charlie; not to do that means there is no more Charlie.” — Patrick Pelloux, another cartoonist who left the magazine.
“If our colleagues in the public debate do not share part of the risk, then the barbarians have won.” — Elisabeth Badinter, philosopher, who testified in court for the cartoonists in the documentary, “Je suis Charlie.”
After the Kouachi brothers slaughtered Charlie Hebdo’s journalists, they ran out into the street and cried: “We have avenged Muhammad. We killed Charlie Hebdo.” Two years later, it appears that they won. They succeeded in silencing the last European magazine still ready to defend freedom of expression from Islamism.
Over twenty years, fear has already devoured important pieces of Western culture and journalism. They all disappeared in a ghastly act of self-censorship: the cartoons of a Danish newspaper, a “South Park” episode, paintings in London’s Tate Gallery, a book published by the Yale University Press; Mozart’s Idomeneo, the Dutch film “Submission”, the name and face of the US cartoonist Molly Norris, a book cover by Art Spiegelman and Sherry Jones’s novel, “Jewel of Medina”, to name just a few. Most of them have become ghosts living in hiding, hidden in some country house, or retired to private life, victims of an understandable but tragic self-censorship.
Only the French satirical magazine Charlie Hebdo was missing from this sad, long list. Until now.