If victims of Islamic terrorism could ever be killed twice, then a Danish art exhibition, scheduled to open this week in Copenhagen, could probably achieve this very dubious distinction.
The art show in question has as its theme the motive of martyrs, namely, “why some people die for that which they believe in.”
“Our exhibition is about describing the term ‘martyr’ from as many different angles as possible and through history,” said a show organizer.
So far so good.
But what has outraged many is that the leftist artist collective (no surprise here) responsible for the exhibition has decided to include Islamic terrorists involved in the Paris attack last November as well as in the Brussels suicide bombings alongside “historical figures considered martyrs” such as Joan of Arc and Aristotle.
“[The] Danish artists plan to include images of the terrorists, replicas of their belongings and, and plaques explaining who they were and what they did,” reports the CopenhagenPost.
Besides representing a posthumous execution of the Brussels and Paris victims, this obscenity disguised as ‘art’ is also just another indicator to what depths of decadence and immorality the left has descended to. Its belief that every taboo must be broken for freedom to exist is also currently reflected in the trans-gender washroom controversy in America.
The following quote by a female member of the collective disturbingly indicates the left’s unnatural loss of all sense of proportion, possessed by most normal people, when it comes to recognising the difference between good and evil:
“To fly into the Twin Towers, to shoot at people in Bataclan, or to blow oneself up into the air, one does this only in the belief in a better, world.”
Stalin and Hitler also believed in better worlds. The former of a world with a single ruling class, and the latter with a single ruling race. Millions perished unwillingly in the attempt to realize these unrealizable, homicidal visions.
Unfortunately for most sane people in the West, the unnamed ‘artiste’ is not alone in her twisted thinking. In America, Professor Ward Churchill called the World Trade Tower victims “little Eichmanns”. And in the same vein, the German columnist, Henryk Broder, cites the composer Karlheinz Stockhausen who called 9/11 “the greatest work of art there is in the universe.” He also quotes the painter Anselm Kiefer who said that with 9/11, Osama bin Laden “created the most perfect picture that we have seen since the steps of the first man on the moon.”
Broder also points out what is most obviously wrong with this art exhibition, which should be evident to anyone possessing even a modicum of rational thought: the Islamic terrorists, who calmly shot people down at the Bataclan in Paris and blew up dozens more in Brussels, including themselves, are not martyrs but mass murderers.
And unlike Joan of Arc and Aristotle, these killers did not go alone to their deaths but dragged several hundred unwilling victims with them. These two outstanding heroes of Western civilization would never have wanted to see anyone executed for their sake or because of their actions. Besides, they did not seek death and ‘martyrdom’, like Islamic jihadists do, but rather were sentenced to die after dubious trials.
“Why didn’t the Paris attackers, who caused the bloodbath in Bataclan, instead throw themselves down from the Arc de Triomphe?” asks Broder.