“America I find is not the America I wished to find. It is racist, it is hateful and its citizens are bound to destroy themselves.” This is Tuvia Tenenbom’s cringe-worthy conclusion in The Lies They Tell, a chronicle of his wanderings through America to find out what makes it tick. But Tenenbom doesn’t appear to know a thing about America—despite living in New York for 15 years—and seems unable to learn.
What makes this more astonishing is that Tenenbom’s Catch the Jew!, his previous book, was as insightful as his latest is muddled. That book, a gutsy exposé of European funding of non-governmental organizations (NGOs) in Israel, with the complicity of some Jewish groups, was the first hands-on, direct-contact revelation of what these NGOs were up to, i.e. undermining Israel’s legitimacy. Israel’s government seems to have awoken to the danger. Recently, Prime Minister Benjamin Netanyahu refused to meet with Germany’s foreign minister after he conferred with anti-Israel NGOs.
Tenenbom understood what he was talking about in part thanks to his unusual background. Groomed to be a rabbi in Bnei Brak, an ultra-Orthodox neighborhood in Israel, he broke away to pursue secular studies, formed the Jewish Theater in New York, wrote numerous plays, and became a columnist for the Jewish daily The Forward. Fluent in German, he also writes for the German paper Die Zeit. Unfortunately, none of this gives him special insight into America. Tenenbom admits that the rest of the country is to him a blank. “Like many New Yorkers, I don’t know much about the other forty-nine states that make up America,” he writes.
Catch the Jew! had the added benefit of being Tenenbom’s idea, something that can’t be said of his latest effort. As he notes in his introduction, “Following the success of the two books, [I Sleep in Hitler’s Room, on Germany, and Catch the Jew!] my devoted editor, Winfried Horning, asked me to add another book to the series. . . . Winfried thought that the time had come to have a book about America as well.”
Tenenbom decided the best way to “portray the character of the country and its people” was to go out and meet people. He tours the states, but without a reason (apart from a book contract) or theme his wanderings appear aimless, even to himself. While in Cleveland, he writes, “I ate. I walked. Time to rest. Tomorrow I drive. Where to? Detroit. Why? Because there’s nothing more American than Detroit. How do I know? I just made it up.” The book is filled with this sort of empty trivia.
Tenenbom travels for six months, chatting with a racially diverse cast of Americans. He pesters them with questions about politics, religion, and race. Not surprisingly, they’re reluctant to answer. Maybe in Germany and Israel strangers love arguing about politics with strangers, but in this country, starting in on politics with someone you’ve just met is considered rude. Author Robert D. Kaplan, who made a similar trip, writes in his Earning the Rockies, “If you ask people straight out about such things as politics and foreign policy, they will often as not adopt a pose: after all, they don’t know you, and they may be uncomfortable about being quoted in public.” Tenenbom doesn’t entertain the possibility that the people he buttonholes don’t want to open up to him; instead, he decides they’re frightened. Americans, he concludes, are “afraid to share their political and religious views with strangers. In the Land of the Free, the Brave are quiet.” This peculiar idea becomes a major pillar of his book.