RUTHFULLY YOURS

https://amgreatness.com/2021/10/29/very-fine-people/

An excerpt from Wrath: America Enraged (Encounter, 256 pages, $28.99)

Jacob Anthony Chansley, who also goes by the name Jake Angeli, was one of the people who made their way into the chamber of the U.S. Senate in the Capitol on January 6, 2021, to protest the Senate’s impending certification of state electors who would install Joe Biden as the 46th president of the United States. His name may not register, but his image will: he was the fellow bizarrely attired in a coyote-fur hat sprouting black buffalo horns; shirtless, showing his muscular but heavily tattooed torso; sporting black gloves and a red knapsack; face painted in vertical red, white, and blue stripes; and carrying an American flag on a spear.

The disorderly intrusion of several hundred protesters into the Capitol was quickly characterized by the media, and by many politicians, as an “insurrection.” Moreover, the accusation of insurrection was applied to the many thousands of Trump supporters in Washington that day who had nothing to do with the intrusion into the Capitol. And that characterization became the basis for the House of Representatives to impeach President Trump for supposedly inciting the “insurrection” and the impetus for Joe Biden to order 26,000 National Guard troops to defend Washington during his inauguration on January 20.

As it happened, there was no insurrection.

Images of Chansley in his costume—arguing with a police officer; posing with other protesters in a foyer; standing behind the Senate dais with his fist raised in triumph; outside holding a sign that declared “Q Sent Me!” and speaking into a microphone while clutching the obverse of the sign, “Hold the Line Patriots God Wins”; and, in several shots, chin raised as he apparently sings—stand out among the handful of photos of the Capitol protest that have become iconic. They helped cement the reputation of the protesters as crazy extremists.

https://bariweiss.substack.com/p/when-your-body-is-someone-elses-haunted

Tomorrow marks three years since the massacre at Tree of Life, the most lethal attack on Jews in American history and a watershed event in the lives of so many I love.

I find myself pulled back to that time. To the shock I felt. To the sense I had immediately that the country I thought I lived in was changing in radical ways, even if I didn’t yet fully understand them.

One of the people who helped me make sense of it all — who helped me see that the fate of Jews and the fate of liberty are intertwined; who helped me grasp that an assault on Jews was an assault on the very notion of difference — was Dara Horn.

Dara is a novelist and an essayist whose writings on Jewish history, culture politics has shaped my own thinking. Her new book is called “People Love Dead Jews.”

This is a book deeply relevant to everyone who cares about the future of America, not just the future of American Jews.

………Sometimes your body is someone else’s haunted house. Other people look at you and can only see the dead.

I first discovered this at the age of seventeen in the most trivial of moments, at an academic quiz bowl tournament in Nashville, Tennessee—where, as the only girl from my New Jersey high school, I shared a hotel room with two girls from Mississippi. We were strangers and competitors pretending to be friends. One night we stayed up late chatting about our favorite childhood TV shows, about how we had each believed that Mr. Rogers was personally addressing us through the screen. We laughed together until one girl said, “It’s like Jesus. Even if he didn’t know my name when he was dying on the cross, I still know he loved me, and if he knew my name, he would have loved me too.” The other girl squealed, “I know, right? It’s just like Jesus!” Then the two of them, full of messianic joy, looked at me.

I said nothing—a very loud nothing. The girls waited, uncomfortable, until one braved the silence. “It seems like people up north are much less religious,” she tried. “How often do you go to church?”

https://www.wsj.com/articles/book-review-woke-racism-by-john-mcwhorter-11634596283

‘This book frankly leapt out of me,” writes John McWhorter, “during the summer of 2020.” The country was convulsed not just with Covid-19, but with protests in response to the killing of an unarmed black man by a white policeman whose actions were caught on camera. Mr. McWhorter began to write in the first week of August. Eight weeks later, he’d finished “Woke Racism,” a book that hits back at the “antiracists” who prowl public life in search of transgression, and whose mission to rid America of “racist” thought he likens to that of a religious cult. His book is a cry from the heart, and readers should gauge the depth of his indignation from the fact that its working title was “F*** ’Em.”

This eloquent manifesto is Mr. McWhorter’s 22nd book, a majority of those on the subject of linguistics. His is a split personality: A linguist in his day job as a professor at Columbia University (specializing in creoles, particularly the Saramaccan language in Suriname), he’s also an outspoken commentator on race whenever the national mood requires it. As Mr. McWhorter’s thinking on race is in conflict with that of the black American political mainstream, he’s often miscast as a black conservative by glib taxonomists. But he’s careful to point out that he wasn’t “thinking of right-wing America as my audience,” even as he acknowledges that many liberal readers will think him “traitorous” for writing this book.

Woke Racism: How a New Religion Has Betrayed Black America

By John McWhorter

Mr. McWhorter’s target audience is, precisely, the one that would regard him as racially incendiary. It includes white progressives who have “fallen under the impression that pious, unempirical virtue signaling about race is a form of moral enlightenment and political activism.” Equally, it comprises black people who have succumbed to the “misimpression” that the way to their own salvation lies in “a curated persona as eternally victimized souls.”

Mr. McWhorter’s targets in “Woke Racism” are antiracist crusaders whom he calls the Elect—borrowing a term used by the essayist Joseph Bottum in his book “An Anxious Age” (2014). Mr. McWhorter chooses not to call these people Social Justice Warriors or Inquisitors, deeming those labels “unsuitably dismissive” and “mean,” respectively. He’s not the first to trace the “rootstock” of their ideology to critical race theory. This is a once-fringe belief, now muscling its way into mainstream thought, that every individual’s fate is determined by racial “hierarchy” and power. The theory contends, writes Mr. McWhorter, that a nonwhite in America is “akin to the captive oarsman slave straining belowdecks in chains.”

https://www.frontpagemag.com/fpm/2021/10/saying-ngo-antifa-bruce-bawer/

Reporting on the events of June 29, 2019, when the gutsy freelance reporter Andy Ngo was beaten half to death by Antifa goons during a disturbance in Portland, Oregon, journalist Katie Shepherd – then at the local rag Willamette Week, now at the Washington Post – described the demo as “mostly unremarkable.” Later, Jerry Nadler called Antifa “imaginary” and Post “fact-checkers” denied Antifa’s brutality. When, in August 2020, Ngo addressed a Senate hearing at the invitation of Ted Cruz, Hawaii’s Mamie Hirono dismissed his testimony out of hand, while other Democrats left the chamber. So it goes on both sides of the Atlantic: pols and pressmen alike repeatedly deny or defend even Antifa’s worst depredations (“Destroying property, which can be replaced, is not violence,” pronounced New York Times reporter Nikole Hannah-Jones, notorious for rewriting American history in the 1619 Project) while celebrities like Steve Carell shell out sizable sums to bail out Antifa thugs.

Some of these supporters (such as, presumably, Carell) are fools who’ve drunk the Antifa Kool-Aid; the likes of Nadler and Mirono, meanwhile, crave power at any cost, and view Antifa as a handy tool. (The Nazis had the Gestapo and SS; the Democrats have Antifa and Black Lives Matter.) Some Democrats don’t love Antifa, but much of their base does; better, they reason, to let innocents be killed than to alienate voters.

https://www.frontpagemag.com/fpm/2021/10/critical-quran-bill-warner/

Robert Spencer’s new book The Critical Qur’an is a one volume encyclopedia of the Qur’an. It is a superb reference book with a sound foundation, using multiple translations. It is detailed. All of the knotty problems are solved by direct scholarly references.

In The Critical Qur’an, Spencer clarifies the problems that cloud our understanding of the Qur’an, which lurches from one subject to the next. Ideas come out of nowhere with no context. Topics – like “hell” – repeat again and again and again.  The constant repetition is tiresome.

There is no recognition of time in the Qur’an. The chapters are laid out in order of their length, not in a time sequence.  It starts with the longest chapter and ends with the shortest. To add to the confusion, it uses many strange names and foreign terms. Basically, it is unintelligible, confusing, repetitive and filled with hate towards the Unbelievers.

The most problematic to most non-Muslim readers is that the Qur’an presents contradictory ideas. One verse will teach tolerance and the next will call for the death of the Unbelievers. Islamic ethics are contradictory or dualistic, with one set of rules for dealing with other Muslims and another set of rules for the Unbelievers.  

So no one can understand the Qur’an by simply reading it. There must be auxiliary commentators, exegetes, in order to find meaning in the words of Allah. Robert Spencer guides us through the mire of this contradictory and perplexing work using all the tools of exemplary scholarship.  

https://www.frontpagemag.com/fpm/2021/10/america-enraged-mark-tapson/

One thing Americans can presumably all agree on in our current cold civil war is that civility, mutual if grudging respect, and rational if testy debate in our political discourse have all been replaced by a hair-trigger performative outrage, the scorched-earth warfare of cancel culture, and even occasional violence. It’s difficult to remember that there was a time when even acerbic antagonists like William Buckley and Gore Vidal could trade barbs onstage without hurling chairs at each other and inciting nationwide rioting. What has happened to us? How did we come to this point? And is this state of rage destined to be a permanent feature of our cultural and political landscape?

Peter Wood, president of the National Association of Scholars and author of the essential 1620: A Critical Response to the 1619 Project, has addressed these questions incisively in a must-read, brand new book titled Wrath: America Enraged. He agreed to answer some questions about the book.

Mark Tapson: Mr. Wood, what is the “new anger,” and what is the difference between anger and wrath in a political context?

Peter Wood: “New anger” is show-off anger, the display of someone who expects to be admired for the performance or to boast about it afterwards: anger mixed with self-delight.  New anger contrasts to the older ethic of trying to master your anger and not to let it master you.  Through much of American history, giving free vent to anger was regarded as a sign of weakness and immaturity.  We admired the man or woman who, when provoked, found ways to handle the situation without descending into rage.  Of course, that kind of self-control often failed, at which point brawls erupted.  Those who brawled in public or in private, however, were not regarded as good people.  Those who turned to anger too quickly or too often were shamed.

“New anger” became a recognizable force in American life in the 1950s, though it was at first a trend confined to avant garde parts of society:  the beat generation, early adepts of Freudian psychoanalysis, and people reading French existentialist novels. From these seeds grew the counterculture of the sixties, and then the disillusioned anger of the Big Chill 1970s.  I am collapsing a lot of history into a few sentences.  The breakdown of the older ideals of emotional self-control and their replacement by a new ethic of emotional expressiveness didn’t happen overnight or all at once or equally in all sectors of society.  Fifteen years ago I spent a whole book (A Bee in the Mouth: Anger in America Now) to describe the slow progression of new anger into the position it now has of cultural dominance.  I’m mindful that whole generations have grown up for whom there is nothing “new” about “new anger.”  It is all they have ever experienced unless they have been immersed in the world of Turner Classic Movies, where you can glimpse a world ruled by different emotional norms.

When Politicians Panicked tells the tragic story of how, in response to a spreading virus, global politicians mindlessly pursued economic desperation, starvation, and death as the cure.

The global economy was booming as 2020 dawned, but within a few short months wreckage, death, and desperation borne of economic contraction were the new normal. What happened? 

In When Politicians Panicked, economic commentator John Tamny tells the heart-wrenching story of a time when politicians were tragically relieved of basic common sense in their response to the new coronavirus. 

In March of 2020, the virus quickly became a major news item as political panic about it traveled around the world. Even though anecdotal and market-based evidence from the virus’s epicenter indicated very low lethality, politicians quickly imposed economy-crushing lockdowns on the rather specious assumption that unemployment, bankruptcy, and starvation would somehow halt the virus’s spread. 

Tamny methodically dismantles the political consensus by showing how economic growth has long been the first and last answer to death and disease. He then shows how politicians, having mindlessly crushed a growing economy, proceeded to double down on their mistakes by throwing taxpayer money at their shocking errors. 

Throughout When Politicians Panicked, Tamny makes a relentless case that free people don’t just produce the wealth that renders today’s killers yesterday’s news. They also produce crucial information about health threats that shine a light on that which threatens us. Lockdowns suffocate economic progress, but they also blind us to how we can progress—as Tamny makes plain in what will go down as an essential history for anyone seeking to understand the coronavirus panic of 2020.