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The Roadmap for the ‘Great Reset’ By Janet Levy

https://www.americanthinker.com/articles/2021/04/the_roadmap_for_the_great_reset.html

As far back as 1996, Mikhail Gorbachev laid bare the agenda driving climate alarmism: “The threat of environmental crisis will be the international disaster key to unlock the New World Order.” He was underscoring the importance of advancing Marxist objectives by creating an emergency to convince people they must surrender freedom to be safe. That idea has been parlayed over the decades into a global campaign of the Left to control vibrant economies, end individual freedom and national sovereignties, and impoverish the world. In America, it is being served up as the Green New Deal (GND).

Author Marc Morano exposes that elaborate con game in Green Fraud: Why the Green New Deal Is Even Worse Than You Think. Morano is a former senior staff member of the Senate Environment and Public Works Committee and narrator of the film Climate Hustle. His book shows how the GND — which dovetails with the U.N.’s Agenda 21 — has nothing to do with “saving the planet” and is actually about “transforming modern America into a centrally planned and managed society and imposing an ideology that will rein in the freedoms of individual Americans.”

Like Gorbachev, GND champions admit as much. Morano quotes Saikat Chakrabarti, former chief of staff to debutant Congresswoman Alexandria Ocasio-Cortez, as saying, “We really think of it as a how-do-you-change-the-entire-economy thing.” And he cites Ocasio-Cortez’s campaign aide Waleed Shahid explaining the GND as “a proposal to redistribute wealth and power from people on top to the people at the bottom.”  

For an agenda so ambitious, the name ironically draws on FDR’s failed New Deal of the 1930s, a massive program that expanded the size and scope of the federal government to stimulate an economic recovery but ended up prolonging the Great Depression. The prognosis for the GND — which includes components like universal healthcare, guaranteed annual income, affordable housing, clear water and air projects, and special social and racial justice goals — is worse. Says David Ridenour, president of the National Center for Public Policy Research, “To reach zero net-carbon emissions in 10 years, the government would regulate and ultimately prohibit the use of affordable energy sources. This would trigger a massive decline in industrial productivity and result in mass layoffs.”

The Very Devil of a Thing to Comprehend Mark Powell

https://quadrant.org.au/opinion/reflections/2021/04/the-very-devil-of-a-thing-to-comprehend/

If you haven’t heard of Cardi B, the rapper responsible for a sexually graphic hit that earned her a meeting with a fawning Joe Biden immediately before the recent US election, there is little chance another rising star will elicit a nod of recognition. This one goes by name of Lil Nas X and he has taken things to a whole new level. In this case, a level of Hell, and I mean that literally. A self-described children’s performer, Lil Nas X — real name Montero Lamar Hill— has recently released a music video of himself sliding down a stripper’s pole to perform sexual acts upon the Devil, seated upon his satanic throne (above). For this he has been praised by academics.

The question is, how have we come to this point as a culture, and in particular a Western nation? A time when—just as in ancient Israel—someone like the Biblical prophet Isaiah could lament those in his day who call evil good and good evil, who traded darkness for light and light for darkness, who put bitter for sweet and sweet for bitter (Isaiah 5:20). The answer is somewhat complex.

In 1966, Philip Rieff wrote a book called, The Triumph of the Therapeutic: Uses of Faith after Freud. Rieff’s thesis was that the West had rejected God and in His place sought to create a society where the individual was liberated to indulge in the freedom of one’s own sensuality as an integral part of the pursuit of personal happiness. However, with the ‘therapeutic’ replacing the transcendent moral order traditionally provided by religion, this has only led to the triumph of what I refer to as “therapeutic totalitarianism”.

Just over 50 years after Rieff’s work was published, we’re starting to perceive ever more clearly the bitter fruit of such a Prometheanism endeavour, i.e. the idea than the individual human has unlimited and godlike  potential to re-create the world to accord with one’s own passions and desires. For an excellent analysis and contemporary application of Reiff’s work, see Carl. R. Trueman’s, The Rise and Triumph of the Modern Self: Cultural Amnesia, Expressive Individualism and the Road to Sexual Revolution. Another, even more prescient contribution in this regard is Rod Dreher’s, Live Not By Lies: A Manual for Christian Dissidents (Sentinel, 2020). Dreher explores how “the menace of totalitarianism” is still a very real threat to Western society. As he explains:

The term totalitarianism was first used by supporters of fascist dictator Benito Mussolini, who defined totalitarianism concisely: “Everything within the state, nothing outside the state, nothing against the state.” That is to say, totalitarianism is a state in which nothing can be permitted to exist that contradicts a society’s ruling ideology.

The Fatuousness of Guilt as an Instrument of Policy Roger Kimball

https://amgreatness.com/2021/04/10/the-fatuousness-of-guilt-as-an-instrument-of-policy/

When the world no longer speaks meaningfully to us, we shout into the void and pretend the echoes come from on high.

In Europe’s Last Summer, his brilliant book about the origins of World War I, the historian David Fromkin dilates on the seductive beauties of the summer of 1914. It was, he notes, the most gorgeous in living memory. That serene balminess seemed an objective correlative of the rock-solid political and social stability that Europe had enjoyed for decades. Percipient observers might have discerned troubling clouds on the horizon. But there were plenty of soothing voices to point out that the world’s increasing economic interdependence rendered any serious conflict impossible. There had been no war among the Great Powers for nearly half a century, ergo the status quo would persist for decades, maybe forever. There would always be honey then for tea. 

When war did finally break out, it was greeted in many quarters as a lark, a holiday, a deliverance from the tedious routines of everyday life. Yes, there were some cautionary voices. In August 1914, for example, Sir Edward Grey, the British foreign secretary, mournfully predicted, “The lamps are going out all over Europe. We shall not see them lit again in our time.” But at that moment, Grey’s was a minority perspective. “We’ll just pop over to France next week and be home by Christmas.” That was the popular refrain. 

In Germany, the mood was triumphalist. Thomas Mann, for example, cheered “the collapse of the hated world of peace, stinking of the corruption of bourgeois-mercantile ‘Civilization’ with its enmity to heroism and genius.” 

Then in September came the first battle of the Marne. Its unprecedented slaughter exacted half a million casualties in a week. It is accounted a great victory for the Allies. But although it halted the German advance, it also paved the way for four years of that butchery by attrition that is trench warfare in the age of total war. 

Cultural Consequences?

The Great War had enormous economic and political consequences, of course. It also had enormous consequences in the realm of cultural endeavor, in the visual arts and literature. It is often said that the primary existential or spiritual effect of the war was disillusionment. Barbara Tuchman, for example, notes in one of her classic studies of the Great War that the war had many results but that the dominant one was “disillusion.” She quotes D. H. Lawrence, who observed, “All the great words were cancelled out for that generation.” Honor, nobility, valor, patriotism, sacrifice, beauty: who could still take such abstractions seriously after the wholesale slaughter of the war?  

A Crisis of Two Constitutions and Two Cultures Charles Kesler unveils the rise, decline, and recovery of American greatness. Daniel Greenfield

https://www.frontpagemag.com/fpm/2021/04/crisis-two-constitutions-and-two

“In thinking through the crisis of American national identity, we should keep in mind the opening words of the second paragraph of the Declaration of Independence: ‘We hold these truths’. Usually, and correctly, we emphasize the truths that are held in common, but we must not forget the ‘We’ who holds them. The American creed is the keystone of American national identity: but it requires a culture to sustain it,” Charles Kesler writes in Crisis of the Two Constitutions.

That to some degree encapsulates the complex textual journey through a history of American political ideas to the fundamental cultural challenges captured in Crisis of the Two Constitutions.

Crisis of the Two Constitutions: The Rise, Decline, and Recovery of American Greatness, refers to what the respected Claremont McKenna College professor calls a struggle “between two rival cultures, two constitutions, two ways of life”. This linkage between culture and constitution, between how we live and our laws, is often tragically neglected in conservative thought.

But there’s no constitution without a culture. The “self-evident” truths of the Declaration of Independence and its natural rights are only natural and self-evident to a culture that has reached the same conclusions. When Americans revolted against British rule, their rhetoric of independence was neither foreign nor alien to the intellectual traditions of both sides.

The two nations may have been, as Churchill much later quipped, divided by a common language, but America now contains two nations that no longer share a common language of values. And even when speaking of the Constitution, they are really speaking of the two constitutions of the book’s title, the original Constitution and the “living constitution”.

The two constitutions also reflect two cultures, one traditional and the other forever changing, and two peoples, one centered in its origins, and the other pursuing an impossible future.

Unstoppable: The Incredible True Story of Siggi Wilzig

https://unstoppablesiggi.com/

Winner – Best of Los Angeles Award’s “Best Holocaust Book – 2021”

“A must-read that hopefully will be adapted for the screen. Greene lets Wilzig’s effervescent spirit shine through, and his story will appeal to a wide variety of readers.” – Library Journal

Unstoppable is the ultimate immigrant story and an epic David-and-Goliath adventure. While American teens were socializing in ice cream parlors, Siggi was suffering beatings by Nazi hoodlums for being a Jew and was soon deported along with his family to the darkest place the world has ever known: Auschwitz. Siggi used his wits to stay alive, pretending to have trade skills the Nazis could exploit to run the camp. After two death marches and near starvation, he was liberated from camp Mauthausen and went to work for the US Army hunting Nazis, a service that earned him a visa to America. On arrival, he made three vows: to never go hungry again, to support the Jewish people, and to speak out against injustice. He earned his first dollar shoveling snow after a fierce blizzard. His next job was laboring in toxic sweatshops. From these humble beginnings, he became President, Chairman and CEO of a New York Stock Exchange-listed oil company and grew a full-service commercial bank to more than $4 billion in assets.

Siggi’s ascent from the darkest of yesterdays to the brightest of tomorrows holds sway over the imagination in this riveting narrative of grit, cunning, luck, and the determination to live life to the fullest.

Hunter Biden’s Beautiful Things is an ugly piece of fiction Only in America — and banana republics and one-party dictatorships — can naked nepotism be converted into virtue By Dominic Green

https://spectator.us/topic/hunter-biden-book-beautiful-things-cbs-interview/

“All this makes Beautiful Things more than a celebrity addict’s confession. It’s a whitewash, an attempt to spin Hunter Biden’s story back onto the familiar rails of pity and redemption – and yet another attempt by Hunter to spin some cash out of his famous last name while the media cover for him. There’s nothing of public interest in any of this, is there?”

Biden is dishonest. His memory is shot. He’s an influence-peddler pretending to be a victim, a lifelong exploiter of his public position who hides behind the lowest forms of sentimentality.

Hunter Biden, of course. You’d have to be on the wrong end of a three-day crack binge to confuse Hunter Biden with the impeccably honest, mentally agile and profoundly principled multimillionaire career politician Joe Biden.

Hunter has written an autobiography. Or rather, some desperate and shameless mercenary has ghosted it for him. It belongs to the most execrable category of literature, the political memoir — the sort of book written to launch a political career (Dreams From My Father) or, as in this case, to end one (Ten Percent for the Big Guy).

The book is called Beautiful Things and has a picture of Hunter as a child on its cover. NPR calls it ‘harrowing’ and compares it to ‘degradation porn’. Perhaps this is supposed to dissuade NPR listeners from looking too closely: NPR prefers ethical porn. But we should look closely, because Hunter Biden’s business dealings are a matter of national interest. So is the ongoing effort by a mostly pro-Democratic media to kill the story around him.

My New Book on Journalism, Exposing Corruption, and the Resulting Risks, Dangers and Societal Changes Glenn Greenwald

https://greenwald.substack.com/p/my-new-book-on-journalism-exposing?token

On Mother’s Day in 2019, I obtained a massive archive of materials from Brazil’s most powerful officials. The reporting we did changed the country, and our lives.

In 2015, I travelled to Sweden for an event with former Washington Post reporter Carl Bernstein. It was billed as a conversation about modern journalism between the reporter who had broken the biggest story of the prior generation (Watergate) and the one responsible for the biggest story of the current one (NSA/Snowden revelations).

A couple of years earlier, at the height of the Snowden reporting, Bernstein and I had traded some barbed insults through the media. So before traveling to Sweden, he generously reached out to invite me to dinner in order, essentially, to clear the air so that we could have a civil conversation. The night before the event, we met for dinner at the hotel restaurant. We quickly laughed off the acrimony — it had been a couple of years prior, and both of us have had much worse said about us — and proceeded to have a perfectly enjoyable conversation.

Truth be told, I was excited to meet and talk to Bernstein. Though his Trump-era persona became conventionally fixated on melodramatizing Trump’s evils for CNN, at the time Bernstein for me was most associated with the high investigative drama of Watergate. As a kid, it was that journalistic triumph, along with the Pentagon Papers, that captured my obsessive attention and shaped my views of what journalism is: reporters and whistleblowers who risk everything and face various multi-level dangers to confront and expose corruption by the most powerful actors in society. Throughout pre-adolescence, I spent countless hours reading All the President’s Men and repeatedly watching the excellent 1976 film based on it — in which Bernstein was played by Dustin Hoffman and Bob Woodward played by Robert Redford — and that noble and exciting iconography stayed with me and shaped how I view what journalism should be. It still does.

Our two-hour conversation that night covered many topics, but one comment from Bernstein stayed with me. “I know you likely already know this,” he said, “but a story like the NSA reporting you’re doing is a once-in-a-lifetime experience, so make sure to enjoy it while it lasts.”

Lessons From a Journalist’s First Encounter with Totalitarianism Hope springs eternal. Lloyd Billingsley

https://www.frontpagemag.com/fpm/2021/04/hope-springs-eternal-lloyd-billingsley/

“The future seemed empty to Wraithby. It was easy to burn up the past, but not so easy to face a future lacking everything that had given the past substance.”

That is from Winter in Moscow, by Malcolm Muggeridge, first published in 1934, and proclaimed by historian A.J.P Taylor as the best book on Soviet Russia. In 2021, Winter in Moscow could well be the best book for what is now going on in America: surging totalitarianism, fake news, cancel culture, and wokeness. That dynamic was already on display when Muggeridge went to the USSR in 1932 as a correspondent of the Manchester Guardian.

Wokeness took the form of a general idea in narrow, empty minds, an idea pioneered by French historian Hippolyte Taine. Since these minds are incapable of questioning the idea, they become quite literally possessed. The prevailing general idea of the time was a classless, utopian society, which Wraithby, the name Muggeridge uses for himself, accurately calls the Dictatorship of the Proletariat.

As Wraithby observes, “from time to time the Dictatorship of the Proletariat dramatizes its inner conflicts, assembles a cast and plays out on a stage a mimic battle. Triumphantly leads itself in chains through the streets of Moscow in honor of a mimic victory.”  In Red Square, Wraithby visits the Lenin mausoleum and reflects: “The head inside its glass case was fungoid, fresh and vivid like a fungus growing in darkness, unwholesome like a fungus, soft and poisonous.”

Noah Green – and ‘Not All Muslims Do That!’ Why the Capitol barricade crasher – and Farrakhan follower – is already out of the news.

https://www.frontpagemag.com/fpm/2021/04/noah-green-and-not-all-muslims-do-jamie-glazov/

Introduction: Just recently, we witnessed U.S. authorities and the establishment media try their hardest to de-Islamize the Jihad mass shooting in Boulder, Colorado, and to obscure the fact that the Jihadist perpetrator, Ahmad Al Issa, is a Muslim migrant ISIS sympathizer.

And now we see the same pattern with Noah Green, who crashed his car into a barricade at the U.S. Capitol building last Friday, hitting Capitol Police officers, one of whom was killed and a second severely injured. Green also got out of his car and charged officers with a knife. The establishment media clearly salivated at the prospect of the perpetrator being a white supporter of Donald Trump, so that they could perpetuate their false narrative about the threat of “white supremacist terrorism” all around us. But alas for the media, it was not to be: Green was a black man and a member of the Nation of Islam. And so he is, typically and expectedly, no longer in the news. President Biden heroically led the way, making no mention of Green’s ideology in his statement on the attack and, instead of condemning Green’s violence, alluding instead to the mob that stormed Capitol Hill in January. Even Facebook did its faithful leftist duty, deleting – within the blink of an eye – Green’s Facebook page, where the Capitol barricade crasher proclaimed himself a “Follower of Farrakhan.” Louis Farrakhan is, of course, the leader of the Nation of Islam, which, apart from things like stirring hatred of whites and Jews, embraces Islam’s jihad doctrine.

‘Not All Muslims Do That!’

Now that we have learned how and why the Left perpetuates Jihad Denial, we move on to examine the key arguments within its toxic agenda. As will be demonstrated below, the entire gambit is a lie and a fraud.

It’s Just the Extremists!

One of the most widely employed Jihad Denial arguments heard in our culture today is the infamous assurance that It’s not Islam, but the extremists! This proposition is interwoven with the central foundation of the Jihad Denial matrix: that it all really has nothing to do with Islam. The thinking goes like this: even when Jihadists quote their Islamic texts to justify their barbaric actions, it is not because of Islam. The terrorists, we are told, are just a very tiny minority of Muslims who have misunderstood and hijacked their own religion. They are, therefore, not even real Muslims.

How to Tell the Difference Between Real Education and Propaganda By Annie Holmquist

https://www.intellectualtakeout.org/how-to-tell-the-difference-between-real-educati

The other day I ran across a passage from That Hideous Strength which seems oddly applicable to our time. A dystopian novel written by C. S. Lewis at the close of World War II, That Hideous Strength finds one of its main characters, Mark Studdock, working for N.I.C.E., an organization which pulls the strings in a controlling, totalitarian society.

Studdock is assigned to write propaganda articles for N.I.C.E., an assignment which he objects to when he receives it from his boss, Miss Hardcastle. Studdock argues that it won’t work because  newspapers “are read by educated people” too smart to be taken in by propaganda. The story continues:

‘That shows you’re still in the nursery, lovey,’ said Miss Hardcastle. ‘Haven’t you yet realized that it’s the other way round?’
‘How do you mean?’
‘Why you fool, it’s the educated reader who can be gulled. All our difficulty comes with the others. When did you meet a workman who believes the papers? He takes it for granted that they’re all propaganda and skips the leading articles. He buys his paper for the football results and the little paragraphs about girls falling out of windows and corpses found in Mayfair flats. He is our problem. We have to recondition him. But the educated public, the people who read the high-brow weeklies, don’t need reconditioning. They’re all right already. They’ll believe anything.’

Reading this, I couldn’t help but ponder how much of the American public thinks like Studdock. We are convinced that education is the panacea for all ills, and that if the masses could simply achieve one more grade level or degree, we wouldn’t have so many problems to sort through.

But what if that education is, as Miss Hardcastle implies in the passage above, the very thing blinding the eyes of the general public? Or perhaps we should say, what we call education.