https://tomklingenstein.com/we-need-a-reckoning-on-the-1619-project/
The New York Times launched its torpedo at American history on August 18, 2019. I speak, of course, of “The 1619 Project,” which first emerged as a special edition of the newspaper’s Sunday magazine. In the ensuing five years and five months, the 1619 Project outgrew its original 100 pages of newsprint. It became a somber 50 second television commercial on February 9, 2020, that aired during the Academy Awards and featured the singer, song-writer, and actress Janelle Monáe. In 2021, it ballooned into a 590-page hardback book, supertitled “A New Origin Story.” In 2023, Hulu turned it into a six-part “docu-series” with Oprah Winfrey as executive producer.
During those five-plus years, the New York Times ran thousands of print advertisements for the “project.” It substantively revised the magazine text without any public acknowledgment, which means unless you saved the original copy, you can’t know exactly what it said.
One thing it said, on the inside back cover, was that the 1619 Project was on its way to the nation’s schools as a curriculum, including “a lesson plan that introduces this issue [of the magazine], summaries of the articles, an index of historical terms used, suggested activities that engage students creatively and intellectually and opportunities to connect with New York Times journalists featured in this issue.”
That declaration came from the Pulitzer Center, a nonprofit founded in 2006 that attempts to amplify journalism that it judges to have broad public importance. It describes itself as “the venue for the world’s most innovative and consequential reporting, with journalism as the key element for mobilizing society through audience engagement strategies.” In other words, the Pulitzer Center is an activist organization that eschews the old journalistic ideal of providing the information people need to decide for themselves. It instead seeks to “mobilize” the public. And, as it happens, the reporting it selects for this mobilization is entirely of a progressive character.
Before the New York Times unleashed the 1619 Project, it entered into an agreement with the Pulitzer Center, in which the center became the Times’ “educational partner” for the project. The center assumed the task of translating the 1619 Project into “programs for K-12 Classrooms, out-of-school time programs, and higher education programs.”