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FRAZIER GLENN MILLER AND MAX BLUMENTHAL
The Southern Poverty Law Center, which spent a great deal of time monitoring Miller, would never have thought to watch an institute whose board of trustees include a former New York Times editor, a music industry executive and a president of the Center for Constitutional Rights.
When Miller ranted about “Bush and his Zionist bosses” or “The Zionist Jews and their gentile prostitute government managers”; his hate meshed with the hateful material that Blumenthal was putting out.
Blumenthal is mentioned over 300 times at VNN; mostly for his attacks on Jews and Israel. VNN members eagerly ate up Blumenthal’s conspiracy theories about Israel and every bit of negative reporting about Jews. One Blumenthal video even suggested that Rabbis were plotting to kill non-Jewish children.
The Nation Institute’s book arm, in partnership with the Perseus Book Group, published Goliath; Blumenthal’s furious attack on the Jewish State. The book, with chapters such as “How To Kill Goyim And Influence People” and “The Concentration Camp” was described by The Nation’s own reviewer as “The ‘I Hate Israel’ Handbook” and a potential selection of the “Hamas Book-of-the-Month Club.”
A POST-AMERICAN MEDIA
CBS does not want Middle America to watch. Chasing away older and conservative viewers by picking Colbert is not a bug, it’s a feature. CBS would like Colbert to ‘upscale’ its brand by turning its dying late night show into a low rated program watched by wealthy liberal urbanites whom advertisers will pay much more, per person, to reach.
Television networks aren’t being foolish by driving away older viewers. They’re working closely with ad agencies that want the same thing.
The Olympics multicultural Coca Cola ad and the gay rights cereal ads have courted controversy as an advertising strategy. That used to be something that marginal dot com brands did by firing a gerbil out of a cannon during the Super Bowl.
Now deliberately setting out to offend mainstream audiences is something that established brands do in a desperate race to show how youthful, how postmodern and how liberal they are.