http://jewishreviewofbooks.com/articles/735/a-stone-for-his-slingshot/
Thanks Joan Swirsky!!!
“But these are only words I speak—words to wake up Jews if there are any asleep. He will not lose. No cause that had behind it the sweet and powerful dream of freedom—has ever lost. This dream does not stand on the battlefields alone. It stands in us. There are twenty-eight million Arabs. There are British wealth and British officers—and British military equipment. There are eight hundred thousand Jews—besieged and encircled by this Goliath tonight.A David stands against Goliath. I ask you Jews—buy him a stone for his slingshot.” Ben Hecht….1948
Tucked amid the Ben Hecht Papers at the Newberry Library in Chicago is an undated typescript of 21 pages, with a penciled heading: “Speech at dinner at Slapsy Maxie’s, L.A., financed by Mickey Cohen.” Hecht was, of course, a fabled writer for stage and screen, Mickey Cohen was the notorious Los Angeles gangland boss (recently portrayed by Sean Penn in the movie Gangster Squad), and the speech, which has never before been published, is one of the most riveting and remarkable Jewish fundraising speeches ever delivered. What gives?
The outrageously prolific Hecht—writer of reportage, novels and short stories, Broadway theater and Hollywood movies, and eventually Jewish propaganda—was always attracted to outlaws. The first of his six or seven dozen produced (though not always credited) screenplays was Underworld, a 1927 silent film directed by the Austrian-Jewish immigrant Josef von Sternberg. In his freewheeling autobiography, A Child of the Century, Hecht wrote:
I made up a movie about a Chicago gunman and his moll called Feathers McCoy. As a newspaperman I had learned that nice people—the audience—love criminals . . . It was the first gangster movie to bedazzle the movie fans and there were no lies in it—except for a half-dozen sentimental touches introduced by its director.
Hecht won an Academy Award for Underworld, at the very first awards in 1929. (He was nominated five more times but never won another.) In 1932, he wrote Scarface for Howard Hawks, proudly claiming that “two Capone henchmen” showed up after midnight demanding assurance (which he disingenuously provided) that Scarface was not about “the great gangster.”