This past spring a friend and I spent almost a full day at the museum. It is a noble undertaking, meticulously respectful of all faiths with dioramas, recreations of biblical villages and thousands of displayed texts………rsk
http://www.asor.org/anetoday/2018/09/About-That-Museum-Washington
On a quiet street corner two blocks south of the National Mall and just above the busy highway that is Virginia Avenue is the latest addition to Washington’s cultural life, the Museum of the Bible. But unlike the Smithsonian Institution, sprawled out across the Mall, this new museum is a private venture, a labor of love by the Green family of Oklahoma City, they of Hobby Lobby fame. From the outside, the building looks like a forgotten branch of the Bureau of Printing and Engraving. Inside is a state of the art museum, spread over seven floors and hundreds of thousands of square feet. But the Museum of the Bible is more than that; it is a unique performance space that operates on multiple layers to present an American Protestant perspective on the Bible, God, and History.
Some readers are doubtless ready to stop right here. That would be a mistake, not only because they’d miss some witty insights, but because the museum itself is a serious place that deserves consideration and respect, if only because of the questions it poses for us about the Bible. Who has the right to interpret the Bible? The museum makes it clear that, following the Protestant tradition, all people do. But using what tools? That’s where things get complicated.
Entering the museum through its main door, flanked by tablet-like engravings, visitors are thrust into a marble clad interior space that feels like the corporate headquarters of a global pharmaceutical firm.
Giant touch screens and video displays hint at what is to come, as do the moveable pillars of the Philistine temple in the children’s room, ‘Courageous Pages,’ which junior Samsons can push apart. Another important hint is the Vatican Museum room filled with manuscripts on loan; the museum has been relentless and successful in developing partnerships with other institutions around the world. On the one hand the strategy vastly expands the scope of the displays. On the other, this is a way for an upstart museum to generate respectability and put itself on the map.
Respectability is an important issue, both for the museum and for its patrons. Any new cultural institution in Washington needs to establish itself, and in a city dedicated to the Seven Deadly Sins and then some, a Museum of the Bible is at a disadvantage. So too is the Green family, which founded its first arts and crafts store in 1972. The chain now employs 32,000 people in 800 stores, and is famous for stocking over 70,000 different crafting and home decor items. It is also famous for winning its case in the Supreme Court, in which it argued that as a closely held corporation with religious objections, it did not have to provide contraceptive coverage to employees as otherwise mandated by the Affordable Care Act.