http://www.familysecuritymatters.org/publications/detail/fear-and-loathing-are-the-new-freedoms
Imagine that Lionsgate Television serialized Jack Abbott’s In the Belly of the Beast, shot it as a “comedy-drama” in the spirit of Mork and Mindy, complete with humorous but serious lessons in life and prolonged observations on human behavior, sans laugh tracks and yuks. Then you’d have the overall flavor of Orange Is the New Black, a Netflix featured series about a woman’s time in a federal minimum security prison.
Jack Abbott, for those who are unfamiliar with the name, was a convicted murderer whose 1981 book about the cruelty of prison life became a bestseller and was championed by those literary lights, Norman Mailer, Jerzy Kosinki, and Susan Sarandon. Prison, averred Abbott, was but a reflection of America society in general. He blamed it for what he was.
Taylor Schilling, whose last major role was as a fashion-challenged and acting-deficient railroad executive, Dagny Taggart, in a skewed, bizarre, and often esoteric production of Ayn Rand’s prophetic novel, Atlas Shrugged, plays Piper Chapman, a kind of conflicted Mindy, a blonde, blue-eyed inmate sent up for fifteen months for drug trafficking. She is based on the real-life Piper Eressea Kerman, also a vacuous nonentity on whose memoir, Orange Is the New Black: My Year in a Woman’s Prison, the series is based, who was also indicted for the same offenses.
Chapman is sent to federal prison for fifteen months for transporting a suitcase full of drug money for Alex Vause, a lesbian and an international drug smuggler and Chapman’s former lover. In the series, Vause also appears in Litchfield Prison, a very convenient plot development, because if she didn’t show up to confront Chapman about her sexual proclivities, and to finally “break up” with Chapman, the series would only be half the length it is.