http://mosaicmagazine.com/picks/2013/07/zombies-in-the-mineshaft/?utm_source=Mosaic+Daily+Email&utm_campaign=8f82571312-Mosaic_2013_7_3&utm_medium=email&utm_term=0_0b0517b2ab-8f82571312-41165129
So I saw World War Z, the new Brad Pitt movie about a worldwide zombie outbreak, and here’s the surprising thing: I can’t decide whether it’s the most anti-Semitic movie ever made, or the most Zionist movie ever made.
I know what you’re thinking: Isn’t that the way with a deeply profound work of art—that it makes you question your assumptions and goes beyond narrow ideological categories? Well, yes. It is the way of a deeply profound work of art. But World War Z isn’t a deeply profound work of art. It’s not deep, it’s not profound, and it’s not art. It’s actually pretty dumb, as you can tell when you learn that the people who made it think the United Nations possesses its own deepwater navy and aircraft carrier. (If that were actually the case, I would probably support a zombie takeover of the earth.)
World War Z is a combination horror movie, disaster movie, war movie, and spy movie. It’s both very scary and very boring, though, I must confess, not at the same time. Which is to say, when it’s not frightening it’s incredibly dull, and when it’s not tedious it makes you gnaw on your fingernails and cover your eyes in horrified anticipation. It’s probably more boring than scary; but if you like scary, you’ll love it.
Okay—enough with the consumer guidance, and back to the anti-Semitism/Zionism question. About an hour into the movie, Brad Pitt is told by a CIA agent that the only place on earth where the zombies have been stymied is Israel. This led my friend Kyle Smith in the New York Post to say that the movie “takes a pernicious turn when Israel, alone, is said to have known about the zombie apocalypse in advance. In a world where perhaps hundreds of millions believe Israel knew about 9/11 beforehand, this shows poor judgment, to put it mildly.” So that’s the anti-Semitic part.