His very flaws may be his strengths
The very idea that Donald Trump could, even in a perverse way, be heroic may appall half the country. Nonetheless, one way of understanding both Trump’s personal excesses and his accomplishments is that his not being traditionally presidential may have been valuable in bringing long-overdue changes in foreign and domestic policy.
Tragic heroes, as they have been portrayed from Sophocles’ plays (e.g., Ajax, Antigone, Oedipus Rex, Philoctetes) to the modern western film, are not intrinsically noble. Much less are they likeable. Certainly, they can often be obnoxious and petty, if not dangerous, especially to those around them. These mercurial sorts never end well — and on occasion neither do those in their vicinity. Oedipus was rudely narcissistic, Hombre’s John Russell (Paul Newman) arrogant and off-putting.
Tragic heroes are loners, both by preference and because of society’s understandable unease with them. Ajax’s soliloquies about a rigged system and the lack of recognition accorded his undeniable accomplishments are Trumpian to the core — something akin to the sensational rumors that at night Trump is holed up alone, petulant, brooding, eating fast food, and watching Fox News shows.
Outlaw leader Pike Bishop (William Holden), in director Sam Peckinpah’s The Wild Bunch, is a killer whose final gory sacrifice results in the slaughter of the toxic General Mapache and his corrupt local Federales. A foreboding Ethan Edwards (John Wayne), of John Ford’s classic 1956 film The Searchers, alone can track down his kidnapped niece. But his methods and his recent past as a Confederate renegade make him suspect and largely unfit for a civilizing frontier after the expiration of his transitory usefulness. These characters are not the sorts that we would associate with Bob Dole, Paul Ryan, Mitch McConnell, or Mitt Romney.
The tragic hero’s change of fortune — often from good to bad, as Aristotle reminds us — is due to an innate flaw (hamartia), or at least in some cases an intrinsic and usually uncivilized trait that can be of service to the community, albeit usually expressed fully only at the expense of the hero’s own fortune. The problem for civilization is that the creation of those skill sets often brings with it past baggage of lawlessness and comfortability with violence. Trump’s cunning and mercurialness, honed in Manhattan real estate, global salesmanship, reality TV, and wheeler-dealer investments, may have earned him ostracism from polite Washington society. But these talents also may for a time be suited for dealing with many of the outlaws of the global frontier.