http://www.ruthfullyyours.com/2011/05/09/barenboim-now-and-then-a-musical-moron/
Another “wunderkind” of the Classical world who made a splash recently is Daniel Baremboim, the Israeli pianist and conductor, when he was granted “Palestinian” (read: Arab) citizenship at the end of a piano recital in Ramallah, for his work in promoting cultural exchange between young people in Israel and the Arab world.
“Under the most difficult circumstances he has shown solidarity with the Palestinian people,” said Mustafa Barghouti, a Palestinian MP and former leader of Arafat’s terrorist organization Al Fatah.
Baremboim was a great friend of the late Edward Said, with whom he founded an orchestra meant to bring Israeli and Arab musicians together called the East-West Divan workshop. However, in his lectures he went far beyond bringing harmony with increasingly harsh criticism of Israel while ignoring Arab provocation and terrorism.
In the first Edward Said lecture at Columbia University, delivered in 2005, two years after Said’s death, Baremboim stated that the failure of the Israeli government to accept the Palestinians’ “narration” led to anti-Semitism, and that suicide bombings in Israel had “to be seen in the context of the historical development at which we have arrived.”
In the fall of 2006, Baremboim gave a six part lecture series at Harvard University’s under the aegis of the Charles Eliot Norton Petry Center. His lectures focused on music as a catalyst for political change. Too bad the Nazis, who listened to Brahms and Beethoven, had not heard Baremboim describe how music can be a model for human collaboration. And, for good measure, he continued his scolding of Israel.