https://amgreatness.com/2020/07/18/our-worship-of-power-over-truth/
Orwell intended Nineteen Eighty-Four as a warning, an admonition. Our woke social justice warriors, supposing they are even aware of Orwell’s work, would seem to regard it as a plan of action, a how-to manual.
A couple of weeks ago, I wrote a column about “purity spirals.” That’s what the journalist Gavin Haynes calls the familiar “moral feeding frenzy” that occurs whenever ideology triumphs over truth. The French Revolution provides vivid historical examples, as did Mao’s cultural revolution in the 1960s. Those caught in a purity spiral, I observed, invariably find themselves embarked on an endless search for enemies, “a concerted effort to divide the world between the tiny coterie of the blessed and the madding crowd of the damned. The game, Haynes notes, ‘is always one of purer-than-thou.’”
It is also, not incidentally, a contest to subordinate truth to the accumulation of power.
In the course of that piece, I quoted the columnist Andrew Sullivan, who expatiated on the role that language—and the effort to police language—plays in the economy of coercion.
“Revolutionaries,” he wrote, “also create new forms of language to dismantle the existing order.” And how.
Sullivan was writing in New York magazine, a reliably trendy, i.e., left-wing, redoubt that had been his home for the past several years. I employ the pluperfect in the preceding, because Sullivan has just been defenestrated from that increasingly woke organ.
“A critical mass of the staff and management at New York Magazine and Vox Media no longer want to associate with me,” he wrote in a decorous but devastating farewell column.
They seem to believe, and this is increasingly the orthodoxy in mainstream media, that any writer not actively committed to critical theory in questions of race, gender, sexual orientation, and gender identity is actively, physically harming co-workers merely by existing in the same virtual space. Actually attacking, and even mocking, critical theory’s ideas and methods, as I have done continually in this space, is therefore out of sync with the values of Vox Media.