In France, while the immigrant enclaves swell with the self-righteously enraged, calls for the better integration of Muslims are denounced as racist by the elites who betray their heritage of liberté, égalité, fraternité. The future, according to a pair of best-selling books, belongs to Islam.
To understand how Australia could succumb to Islam you need to grasp only one thing: key élites in Western countries would sell out in a heartbeat. That is the primary lesson to be drawn from the two best-selling books about the crisis of Islam in France: Soumission (‘Submission’) a novel by Michel Houellebecq, published in January, and Le Suicide français (‘The French Suicide’) a history of French decline by Éric Zemmour, published last October.
This treachery is certainly the case with academics, as Houellebecq emphasizes by making François, the protagonist (or anti-hero) of his narrative, a professor of literature at Université de la Sorbonne Nouvelle. There he specializes in the work of the influential nineteenth century novelist of decadence, Joris-Karl Huysmans, most famous for À rebours (1884), published in English as Against Nature. This is a work saturated with hatred and contempt for the West, Christianity, and the values and conventions of middle-class life, as is the vast bulk of the work done by arts and humanities academics today. Houellebecq’s François lives vicariously in this realm of aestheticist indulgence, musing nihilistically how the Western masses are little more than animals, living their lives mindlessly, without feeling the least need to justify themselves. “They live because they live, and that’s all,” he says.
soumissionBut François is no different. He is facing a mid-life crisis: his academic career has stalled and the supply of young female students eager to trade sexual favours for special consideration is drying up. And he is only too aware that the knowledge he offers his students and the degrees they acquire at his diploma mill are of little value. What good is arcane knowledge of Proust if you’re selling perfume in a shop? Self-obsessed, François acts mainly as a witness to the succession of political events described in the novel (set in 2022), as the mainstream parties miscalculate in a catastrophic fashion, fragment the popular vote, and deliver France into the hands of the Muslim Brotherhood, which immediately begins to establish an Islamist regime, beginning with the education system.