For the nation’s theaters to demand that Jews produce anti-Israel work in their own theater is insulting.
This month Washington DC’s Theater J will open the second half of its 2014-2015 season with Aaron Posner’s new play, “Life Sucks.” For the first time in 18 years the company, one of the nation’s leading Jewish theaters, will be without its longtime artistic director, Ari Roth. Roth’s firing last month caused a firestorm of controversy in the American nonprofit theater community. Acting artistic director Shirley Serotsky will guide Theater J into a period of new leadership under a cloud of condemnation over Roth’s contentious and very public termination. The reaction to that termination betrayed a troubling double standard over theater’s responsibility to tell stories from diverse perspectives. The result was a bizarre and unique demand that Jewish theater producers program plays critical of Israel.
On December 22, artistic directors from many of the nation’s leading theater companies penned an angry letter to the board of the District of Columbia Jewish Community Center, which oversees Theater J. Although the Center stated that Roth was fired for insubordination after going public with internal disputes, the signers of the open letter called the firing blatantly political. They say Roth was fired because his proposed work ran counter to DCJCC’s positions on Israel.