RUTHFULLY YOURS

One of the many conceits of the digital age is that so-called platforms are a new invention. In some respects they are. Built with computer code, powered by microchips and operated in the cloud, these digital building blocks did not exist until relatively recently. But in other respects, platforms are simply large aggregations of people coming together to search information online, shop or connect with friends.

Compare today’s platforms to the American Constitution: a large aggregation of citizens organized on the principle of self-government. As a work of design, the Constitution is a brilliant piece of architecture, an intellectual foundation that has stood the test of time. If James Madison were a software developer in a Harvard dorm room and not a Virginia planter, we might say he was a better coder than Mark Zuckerberg. The Constitution understands human nature. Facebook , dangerously at times, does not.

In designing the Constitution, Madison managed to appeal to people’s better angels while at the same time calculating man’s capacity to harm and behave badly. Facebook’s designers, on the other hand, appear to have assumed the best about people. They apparently expected users to connect with friends only in benign ways. While the site features plenty of baby and puppy photos, it has also become a place where ISIS brags about beheadings and Russians peddling misinformation seek to undermine the institutions of a free society.CONTINUE AT SITE

Prominent on-air news and opinion hosts at Fox News are going at it tooth and nail, as ailing 86-year-old Rupert Murdoch moves to hand the reins of the network to his liberal son Lachlan. In early February, I got wind of an internal war bubbling below the surface at Fox News. The combatants included several prominent on-air personalities, and there were growing signs that they were gearing up to engage in a serious battle with one another. The conflict pitted representatives of the daytime hard news department against several stars who are faces of the channel during prime time, when opinion-themed shows dominate. Like many Americans in the workplace, beliefs in different opposing ideologies were pushing these people apart. Adding fuel to the fire in the highly competitive hothouse environment of cable television news were jealousy and resentment.

Finally, this past week, the battle went public. It involved three top Fox News personalities: Shepard Smith, Sean Hannity, and Laura Ingraham.

Opening skirmishes in this long simmering conflict began last year, when veteran left-of-center Fox News hosts Shepard Smith and Chris Wallace were the first on-air talent to publicly throw down the gauntlet. Both of them are highly valued and well paid linchpins of the hard news side of the Fox News Channel. Last year, Shepard Smith, 54, the channel’s lead news anchor and host of the 3 P.M. E.T. hour-long news show Shepard Smith Reporting, outed himself as a critic of President Donald Trump. Also in his sights were other prominent Fox News personnel who had defended Trump, including the channel’s senior judicial analyst, former judge Andrew Napolitano. As the Washington Post reported in a swooning profile of Smith on March 22, 2017, “Andrew Napolitano had validated the unfounded claim that President Barack Obama had recruited British agents to bug Trump Tower during the campaign.” “Smith stepped in to say otherwise.” On air, the Post article noted, Smith issued a shot across the bow when he said:

The media always rewards its leakers.

The late pundit Robert Novak used to say that government officials can choose to be either “a source or a target.” In other words, leak information to reporters and you can count on flattering coverage and protection from them. An added bonus to leaking, as former Intelligence Director Jim Clapper discovered, is that the network to which you are leaking will turn you into a paid contributor. According to Congressman Jim Jordan, speaking to Fox News, “Clapper was actually the guy leaking information” to CNN about the presidential briefing on the Steele dossier that served as the pretext for the media feeding frenzy over possible Russian blackmail of Trump.

One can only laugh at the utter fraudulence of CNN: it pads its panels with government officials who leak to it, then presents them to its audience as “nonpartisan” experts commenting on the aftershocks of the very stories they leaked.

Trump’s intuition about a politicized intelligence community is confirmed daily by the rantings of its former members who treat the studios of television news like a retirement center. Eager to get in on this act, NBC recently hired former CIA director John Brennan, who also ingratiated himself to reporters through leaks. On his Twitter account, he describes himself as “nonpartisan” and NBC supports that con by letting him comment on the investigation his partisan manipulation of intelligence instigated.

Almost all of the principals responsible for the Russian farce are confirmed liars and leakers. They said Trump Tower wasn’t the target of spying. It was. They said a FISA warrant wasn’t issued. It was. They said Trump officials weren’t unmasked. They were. They said (as even the New York Times’s Maggie Haberman acknowledged) Hillary didn’t finance the Steele dossier. She did.

An antifa-supporting activist who was charged last summer for vandalizing people’s cars and fences with hateful, racist graffiti, has raised over $80,000 in the past 24 hours, thanks to the sympathetic reporting of the Los Angeles Times, a watchdog has discovered.

Ismael Chamu, 21, allegedly spray-painted people’s cars and fences with “F— White People,” “F— the police,” “F— frat Boys,” “Kill Cops,” “Kill Yuppies,” “Eat the Rich,” and “Class War,” Far Left Watch reported. He was arrested on June 27, 2017, while brandishing a knife “in the same location and on the same night that 30 instances of slashed tires and graffiti occurred.”

He was initially released without charge after being in jail for 39 hours, whereupon he immediately accused the police of racially-profiling him. This led to a public outcry in support of Chamu and against the Berkeley Police Department. The Associated Students of the University of California (ASUC) and the Antifa-friendly Berkeley Mayor Jesse Arreguín publicly condemned the “unlawful detainment” of the “Latino student.”

It took Far Left Watch’s determined research to uncover the truth about this supposed victim of “racial profiling.” Chamu had recently published a (now deleted) blog post advocating for “anti-gentrification vandalism,” calling gentrification a “disease,” and praising the violent tactics of Antifa. CONTINUE AT SITE

Half the country hates Donald Trump, and even the half that thinks he’s doing a good job often flinch from his boorishness, his nasty public attacks, sometimes even on his own aides. For all the top talent he says he’s surrounded himself with, the president repeatedly attracts among the worst that Washington—and New York—have to offer. No doubt that’s one reason why whatever is thrown at him seems to stick.

At the same time, there is a growing consensus among reporters and thinkers on the left and right—especially those who know anything about Russia, the surveillance apparatus, and intelligence bureaucracy—that the Russiagate-collusion theory that was supposed to end Trump’s presidency within six months has sprung more than a few holes. Worse, it has proved to be a cover for U.S. intelligence and law-enforcement bureaucracies to break the law, with what’s left of the press gleefully going along for the ride. Where Watergate was a story about a crime that came to define an entire generation’s oppositional attitude toward politicians and the country’s elite, Russiagate, they argue, has proved itself to be the reverse: It is a device that the American elite is using to define itself against its enemies—the rest of the country.

Yet for its advocates, the questionable veracity of the Russiagate story seems much less important than what has become its real purpose—elite virtue-signaling. Buy into a storyline that turns FBI and CIA bureaucrats and their hand-puppets in the press into heroes while legitimizing the use of a vast surveillance apparatus for partisan purposes, and you’re in. Dissent, and you’re out, or worse—you’re defending Trump.

Recently, a writer on The New Yorker blog named Adrian Chen gave voice to the central dilemma facing young media professionals who struggle to balance their need for social approval with the demands of fact-based analysis in the age of Trump. In an article pegged to special counsel Robert Mueller’s indictments of the Internet Research Agency, Chen referenced an article he had written about the IRA for The New York Times Magazine several years ago. After the Mueller indictments were announced, Chen was called on to lend his expertise regarding Russian troll farms and their effect on the American public sphere—an offer he recognized immediately as a can’t-win proposition.

“Either I could stay silent,” wrote Chen, “and allow the conversation to be dominated by those pumping up the Russian threat, or I could risk giving fodder to Trump and his allies.”

In other words, there’s the truth, and then there’s what’s even more important—sticking it to Trump. Choose wrong, even inadvertently, Chen explained, no matter how many times you deplore Trump, and you’ll be labeled a Trumpkin. That’s what happened to Facebook advertising executive Rob Goldman, who was obliged to apologize to his entire company in an internal message for having shared with the Twitter public the fact that “the majority of the Internet Research Agency’s Facebook ads were purchased after the election.” After Trump retweeted Goldman’s thread to reaffirm that Vladimir Putin had nothing to do with his electoral victory, the Facebook VP was lucky to still have a job.

With special counsel Robert Mueller’s latest indictments of alleged Russian trolls, Facebook is facing heavy fire from prominent critics at the New York Times, Washington Post, and other legacy media for uncritically spreading Russian misinformation. But the probe’s newly lengthened chronology, stretching back well before the 2016 campaign, suggests social-media mischief was only part of a deeper Russian propaganda effort in which those same news organizations were also willing and paid participants.

In 2007, state-owned publisher Rossiyskaya Gazeta launched Russia Beyond the Headlines, a multi-page full-color broadsheet laid out just like a newspaper and distributed, typically monthly, as an insert by some of the most prestigious names in newspaper publishing, including London’s Daily Telegraph, Le Figaro in France and the Italian daily La Repubblica, reaching an audience estimated at nearly 6.5 million readers.

In the United States, the Russian-state media entity partnered with the Washington Post until 2015 and with the New York Times, which confirmed it still bundles the insert into its regular paper. Angela He, manager of corporate communications for the Times, sent an email “confirming that we do run these ads” and that they conform to Timesadvertising acceptability standards, but declined to elaborate.

Russia Beyond, as the insert was renamed in 2017, serves as a “gateway for all things Russia — from culture, travel, education, language, ways to do business, and much more.” Only a small disclaimer right below the masthead, in light typeface, explains that it’s an advertising feature.

The New York Times art critic last seen complaining that a Jewish museum exhibit was insufficiently sympathetic to the Nazi Adolf Eichmann is at it again.https://www.algemeiner.com/2018/03/08/new-york-times-blames-israel-for-stalins-antisemitism/#

The latest piece from the critic, Jason Farago, is a review of an exhibit at the Jewish Museum Vienna. The exhibit explores Jewish involvement in Communism.

Farago’s inaccuracy is on display from the start of his story, which appears under the headline “The Jews Who Dreamed of Utopia.” He writes:

Step into the Jewish Museum Vienna, just off the main shopping drag of this imperial city, and you will be greeted by a bust of Karl Marx, the descendant of rabbis who would call religion the “opiate of the masses.” Dour, wild-haired Karl presides over the first gallery of an ambitious, searching show on religion and revolution, uniting paintings, posters, propaganda, film clips, and a fair amount of Soviet kitsch. Its romantic title — “Comrade. Jew. We Only Wanted Paradise on Earth” — sets the tone for an extensive overview of the dreams and nightmares of communism and international socialism, as seen through the lives and work of Jewish politicians, philosophers and artists: not just Marx, but also Leon Trotsky, Rosa Luxemburg, El Lissitzky, and many others.

Farago calls Marx “Jewish” and “the descendant of rabbis” without telling Times readers that Marx’s parents had both converted to Christianity. Marx himself was formally converted to Christianity at age six and confirmed as a Christian at age 15, according to the Encyclopaedia Judaica.