https://www.frontpagemag.com/on-death-cults-and-decadence/
If you haven’t read Douglas Murray’s latest book, On Democracies and Death Cults: Israel and the Future of Civilization, you’ve very likely read about it. Released in April, it’s still near the top of the bestseller list, and it deserves to be.
In part, it’s a piece of first-rate reportage – truly historic, world-class reportage of the kind that the legacy media used to publish at their best. Immediately after the Hamas atrocities of October 7, 2023, Murray flew to Israel and has spent much of his time there ever since, experiencing things to which neither you nor I would gladly expose ourselves except in the service of truth. Which is to say that Murray takes the title of journalist very seriously: to him, plainly, it is a calling, a trust, a profession in the best and noblest sense of the word.
Of course, to speak of journalism in such terms is to be reminded just how grotesque it is for most of the big legacy-media names – the ones who pull down the million-dollar salaries for staring into cameras, perfectly clad and coiffed, while reading scripts written by other people – to claim the same label for themselves. The day before I am writing this, I turned on CNN, with the usual dread, in hopes of hearing the latest news about the riots in Los Angeles. [Note: This piece was written before Israel and Iran began firing on each other.] I happened to catch the opening moments of Christiane Amanpour’s program. She began with what was meant to be a summing-up of the situation in L.A. She must have spoken eight or ten sentences before I switched the TV off. Why did I switch it off? Because every single sentence that came out of her mouth was a bald-faced lie.
This is the legacy-media landscape of our time: a landscape of lies. More and more of us can see through it, but millions of Americans are still being blue-pilled by Christiane, Wolf, Anderson, Jake, Rachel, and the rest of the whole crooked, compromised crew. For years these millions of Americans have been fed, and have swallowed, lies about Trump – the Russia hoax, the “fine people” hoax, the bleach-drinking hoax, and so forth. But even the lies about Trump aren’t as deeply twisted as the ones surrounding the events that Murray recounts with extraordinary precision and passion in On Democracies and Death Cults.
At times during this post-October 7 era, it has seemed almost as if the legacy media’s lies about the situation in Israel have rewired the minds of half the American population. Perhaps it just seems that way to me because I have so many friends (or “friends”) on social media whose age, sex, color, educational background, and job description render them most likely, for whatever reason, to fall for those lies. In other words, they’re college-educated white women in late middle age who belong to what you might call the creative class – poets, playwrights, composers, musicians, artists, actors, etc. – and who live, most of them, in New York or Los Angeles. More correctly, they live in a bubble of culture – an echo chamber of opening nights and poetry readings and vernissages. You might call it decadence.
