https://www.spiked-online.com/2021/12/22/the-inhumanity-of-identity-politics/
To see how twisted identity politics has become, how morally bereft, just consider this: in 2021, the woke set shed more tears over a convicted child molester who was shot than they did over a much-loved ‘dancing granny’ who was killed by a man wielding his SUV as a weapon.
They wept and tweeted and protested more for Joseph Rosenbaum, the 36-year-old molester of children who was shot by Kyle Rittenhouse in Kenosha in 2020, than they did for Virginia Sorensen, the 79-year-old family woman and member of the Milwaukee Dancing Grannies who was mown down by Darrell E Brooks at the Waukesha Christmas parade in November this year.
And the reason for this disparity in political grief, this chasm-sized contrast between the explosion of concern for Rittenhouse’s victims and the shameful, snivelling silence that greeted the Waukesha atrocity, is as straightforward as it is chilling. It’s because of the identity of the killers.
It’s because Rosenbaum was killed by a white man – by the archetypal Bad White Man, if the feverish media hatred for Rittenhouse is to be believed – while Soresen was killed by a black man. By a member of the woke set’s favourite victim group. By someone who hails from one of the sanctified identities.
Which means Rosenbaum’s death fit the woke narrative, seeming to confirm that any one of us could be a victim of the violent privilege of the white male, and therefore we were encouraged to talk about it, ceaselessly. Whereas Sorensen’s death, and the deaths of five others at that bloodied parade, grated against the woke narrative. It had a black perpetrator and white victims. It didn’t compute. It wasn’t useful. So it was hushed. Nothing to see here. Move on. ‘Waukesha feels abandoned after tragic parade attack’, said the New York Post this month, after four solid weeks of muteness over that horrific event from the normally hyper-virtuous hand-wringers of the celebrity and political sets.