https://www.frontpagemag.com/fpm/2021/11/lethal-mix-woke-rap-and-live-nation-thom-nickels/
On December 6, 1969, Mick Jagger of The Rolling Stones looked out over the massive crowd at California’s Altamont Speedway and saw the concert security staff, the Hell’s Angels, beating up an audience member. The Angels, who were paid in beer rather than cash to act as security that day, had apprehended a man named Meredith Hunter, 27, who attempted to approach the stage. When Hunter attempted to approach the stage again, this time with a revolver, he was beaten by the Angels and then stabbed to death by Angel Alan Passaro. The melee, which was captured on film, caused a nervous Jagger to announce, “People, people, let’s be cool!”
The murder of Hunter would come to be known as Rock’n Roll’s Darkest Day, officially marking the end of the 1960’s peace and love era which had its peak expression only months before at Woodstock.
The 1969 tragedy at Altamont has arguably been superseded in darkness by the troubling developments at Live Nation Entertainment – which bills itself as “the world’s leading live entertainment company.” The company’s recent production of the Astroworld Festival in Houston on November 2 saw 13 people killed and 300 injured when a crowd surge during the concert caused concertgoers to trample one another. Live Nation has a history of safety violations over the past decade. The massive concert enterprise also seems to thrive best in large Democrat-controlled cities where the urban landscape cultivates its own style of rough and tumble audiences and artists (Christian conservative rappers like Bryson Gray need not apply), especially artists who not so long ago specialized in ‘F—k Trump’ lyrics.
Consider my own city of Philadelphia.