https://www.nationalreview.com/2020/10/art-review-making-the-met-metropolitan-museum-of-art/
Making the Met, 1870–2020 makes the case, and no one can deny it: The Met is an unparalleled marvel.
T he new exhibition at the Metropolitan Museum of Art, Making the Met, 1870–2020, commemorates the 150th anniversary of, in my opinion, the unmatched giant among museums in the world today. Its collection, curators, and educational program go from strength to strength. In 1870, the Met’s founding signaled America’s cultural ascendance from provincial to international, from the sweaty work of building a nation from scratch to a time when enrichment of the mind was seen as not only possible but essential to a good life.
From the Gilded Age to the Information Age, the Met’s mission has always pivoted toward the best, in everything it does. It almost always hits the target. Yes, it’s an art museum with intimate as well as sumptuous, grand galleries, but, well beyond that, I’ve always looked at it as a university. Its pedagogical and research functions are huge. With a million moving parts, as many movers and shakers, superb art, and a history of peaks and valleys, the Met’s story is a challenge to tell.
What is its own take on the past 150 years? Expansive but cautious, even corporate. Hygienic, as all the juicy, rapacious bits go unmentioned. Surprising? Not really. The Met’s an enormous place, or, more precisely, a big family where everyone needs to be fed. There’s a little of everything, but the story is coherent. It’s a Cliff Notes version. It shows many great things but not all the best things. It’s about the Met’s best thinking and its high points.
I enjoyed it. How could I not? It’s the greatest museum in the world. It’s the zenith of heritage preservation. It’s a learned storyteller, too, and the story is human creativity. Americans are privileged that it’s here.