https://www.frontpagemag.com/fpm-plus/the-brutalist-a-must-see-masterpiece/
I have never witnessed the avalanche of acclaim for a new release such as I’ve seen for the 2024 film The Brutalist. The Brutalist is the biopic of a fictional character. Adrien Brody plays Laszlo Toth, a Hungarian Holocaust survivor who is commissioned to build a Doylestown, Pennsylvania community center in the Brutalist architectural style. A man of intense artistic dedication and integrity, he overcomes roadblocks, and realizes his dream.
Why is a movie about a Hungarian immigrant in Doylestown, PA advancing like a tornado through a wheat field, toppling critics into adoring prostration? Filmmaker Brady Corbet doesn’t understand. “If something is really radical, people initially don’t like it … people are connecting with The Brutalist … I’m completely confused.”
Below, a review of reaction to the film, a summary of the film, and then my own take on The Brutalist.
The Brutalist is a three-hour-thirty-five-minute long period drama. It was directed by former child actor Brady Corbet and co-written by Corbet and his life partner, Norwegian actress Mona Fastvold. It stars Adrien Brody, who won an Academy Award for his depiction of real-life Holocaust survivor Wladyslaw Szpilman in the 2002 Roman Polanski masterpiece, The Pianist. The Brutalist has been nominated for dozens of awards. It racked up five wins at the Venice International Film Festival, and Golden Globes for Best Motion Picture – Drama; Best Actor for Adrien Brody; and Best Director for Brady Corbet.
The Brutalist enjoys a 93% positive rating at RottenTomatoes. Fico Cangiano’s review is representational. “Stunning … sweeping … epic. An ambitious exploration of the immigrant experience, the pursuit of the American dream and human behavior. The best film of 2024.” The Atlantic says “An expansive but stark look at the successes and challenges involved in making personal art in a capitalist system.” The Washington Post says, “An irresistible object — Laszlo — meets the immovable forces of American caste, capitalism, aesthetics and exclusion … [these] slowly tighten” their “stranglehold on Laszlo’s dreams.” The San Francisco Chronicle reports, “Adrien Brody is a walking open wound.” American capitalists “attempt to distort his vision for budgetary or bonehead creative reasons. Yes, The Brutalist is a metaphor for ambitious personal filmmaking.” The Standard decrees that there is only one way to react to The Brutalist. “It is impossible not to recognize The Brutalist as anything other than a filmmaking triumph … a brutal parable for all immigrants and artists who struggle to sublimate themselves in the meatgrinder of America.”