https://www.nytimes.com/2019/04/17/books/review/adina-hoffman-julien-gorbach-ben-hecht-biography.html?smid=nytcore-ios-share
BEN HECHT
Fighting Words, Moving Pictures
By Adina Hoffman
THE NOTORIOUS BEN HECHT
Iconoclastic Writer and Militant Zionist
By Julien Gorbach
For understandable reasons, biographies about Ben Hecht have focused
almost exclusively on his screenwriting career in Hollywood. And why
wouldn’t they? Consider a few of his credits: “Underworld,” directed
by Josef von Sternberg, for which Hecht won the first Academy Award.
(Not his first Academy Award, the first Academy Award ever given for
best story. The year was 1927.) “Scarface,” “The Front Page,”
“Twentieth Century,” “Design for Living,” “Wuthering Heights,” “His
Girl Friday,” “Spellbound,” “Notorious.” And that’s just films with
his name on them. Uncredited, he script-doctored countless others,
including “Stagecoach,” “Gone With the Wind,” “A Star Is Born” (1937)
and “Roman Holiday.”
Across four decades, Hecht worked on about 200 movies. He helped
establish the ground rules for entire genres, including the gangster
film, the newspaper picture, the screwball comedy and postwar film
noir. Jean-Luc Godard said “he invented 80 percent of what is used in
Hollywood movies today.”