https://www.americanthinker.com/articles/2019/01/honoring_country_music.html
Country music has almost always been counter-counter-culture. Country music honors ancestors and traditions, while hardcore rocker bands like Stick To Your Guns glorify felons Eric Garner, Mike Brown and Trayvon Martin, the ludicrously named Prophets of Rage mock “the chosen whites” who “wear[ ] badges” (“Killing In The Name”), and Vampire Weekend and Foster the People shill for socialist retread Bernie Sanders.
Often featuring sharp and witty lyrics and hummable tunes, Country fosters a patriotic love of the land and its people, and displays a spirit of proud independence. As such, it is among the most engaging of musical idioms. It is at its purest an amalgam of swagger and humility. True, its subject matter can’t help but touch the world out there and can’t help but convey attitudes and beliefs, often of a patriotic nature, but it is certainly not an agenda-driven program for incendiary or subversive or revolutionary change. It purveys no drummingly sociopolitical message. Rather, Country in its essence expresses natural and universal feelings of love and home and basic human experience — “the basics of love,” as Waylon Jennings put it in “Luckenbach, Texas.” Anchored in everyday life, it does not hector or seek to persuade but treats of perennial themes while retaining a distinctive artistry in melody and lyric.
As Alan Jackson sings in his haunting 9/11 requiem, Where Were You When the World Stopped Turning, he is not “a real political man,” unlike the smug patricians of the reigning Western cultural elite. Jackson’s elegy for Hank Williams, “Midnight in Montgomery,” is unforgettably poignant and as unpolitical as it can get, very much like Williams’ signature “I’m So Lonesome I Could Cry.” Williams is reputed to have said: “God writes the songs. I just hold the pen” — a way of articulating a felt truth and a welcome antitoxin to the malignant spirit of decay and subversion that has permeated the cultural, political and institutional life of America today. Such cultural decadence is the reason why so much of its music is trash.