RUTHFULLY YOURS

Nothing here but a halfbright screed against Trump with vile comparisons to Mussolini, Hitler and Stalin and praise for herself and Hillary Clinton….rsk

“She frequently nudges the reader to make connections between the president of the United States and past dictatorships. She reminds us who first coined the Trumpian phrase “drain the swamp”. It was drenare la palude in the original, Mussolini Italian. She quotes Hitler talking about the secret of his success: “I will tell you what has carried me to the position I have reached. Our political problems appeared complicated. The German people could make nothing of them… I…reduced them to the simplest terms. The masses realised this and followed me.” Sound familiar?”

The former US secretary of state decries the global rise of authoritarianism in her new book, Fascism: A Warning, and talks about Trump, Putin and the ‘tragedy’ of Brexit

Madeleine Albright has both made and lived a lot of history. When she talks about a resurgence of fascism, she says it as someone who was born into the age of dictators. She was a small girl when her family fled Czechoslovakia after the Nazis consumed the country in 1939. After 10 days in hiding, her parents escaped Prague for Britain and found refuge in Notting Hill Gate, “before it was fancy”, in an apartment which backed on to Portobello Road. Her first memories of life in London are of disorientation. “I didn’t have a clue. My parents were very continental European and I didn’t have siblings early on. I felt isolated.” As Hitler unleashed the blitz, “every night we went down to the cellar where everybody was sleeping.”

She has since been back to the redbrick block in Notting Hill. “I rang the doorbell of the person who lived in the apartment – it was a lot smaller than I remember it. I asked a stupid question: whether the cellar still existed. They said: ‘Of course the cellar exists.’ So they took me down and I had this moment – the green paint was exactly the same. I remember the green paint.”

It was decades later that she discovered that, though she was raised a Catholic, her parentage was Jewish and many of her family had been murdered in the Holocaust, including three grandparents.

From Notting Hill, the family moved out of central London to Walton-on-Thames, where they shared a house “with some other Czechs”. The bombs fell there too, but she enjoyed “every minute” of this part of her childhood. “I went to school and we spent a lot of time in air raid shelters singing A Hundred Green Bottles Hanging on the Wall.” It was less terrifying than it might have been because “my parents had a capacity of making the abnormal seem normal”.

This is a story about the appeasement of Islam. To be specific, it’s about appeasement on the part of book publishers. To be even more specific, it’s about a little mom-and-pop operation known as Random House, and a German author named Thilo Sarrazin.

I’m not unfamiliar with Random House. In 2006, Doubleday, a division of that storied firm, published my book While Europe Slept: How Radical Islam Is Destroying the West from Within. Although it sold briskly from the git-go, it was (like many other honest books on the subject) delicately ignored by most of the mainstream media. Nonetheless, it made the New York Times bestseller list and was translated into several languages – and the paperback edition, published by Broadway Books, another Random House subsidiary, continues to sell. In 2009, Doubleday put out my follow-up book, Surrender: Appeasing Islam, Sacrificing Freedom. Whereas While Europe Slept had warned of the dangers attendant upon Islam’s rise in the West, Surrender addressed the growing Western tendency to assuage alleged Muslim sensitivities, largely through censorship and self-censorship: museums were putting away art works that might offend the Prophet’s followers; universities were installing propaganda factories disguised as centers of Middle Eastern Studies; Hollywood, which during World War II had specialized in patriotic cheerleading, was responding to the “War on Terror” with films in which Americans were bad guys and Muslims were victims; and while cops and prosecutors were doing all they could to avoid bringing Muslim malefactors to justice, they were hauling critics of Islam into court for “hate speech.”

As for book publishers – well, let’s not forget that the first big modern example of cultural jihad in the West was the Ayatollah Khomeini’s fatwa against Salman Rushdie, whose novel The Satanic Verses, he thundered, had insulted “Islam, the Prophet of Islam, and the Qur’an.” At the time, that debacle seemed a one-off, and publishers, to their credit, continued to put out books that criticized Islam. The record, however, was not spotless. When Yale University Press, in 2009, released an account of the Danish cartoon crisis, it decided not to include the actual cartoons – a ludicrously cowardly move. Yale wasn’t alone. Over time, it became clear that major presses were becoming more timid on this front: while happy to churn out agitprop by the likes of Karen Armstrong and John Esposito, they were growing increasingly uneasy with blunt truth-telling. Hence more and more writers in this genre have had to put out their books themselves. (In Norway, where I live, one of the top bestsellers of 2015, Hege Storhaug’s Islam: Den 11. landeplage – which will appear in English later this year as Islam: Europe Invaded, America Warned – was self-published.)