Daphne Patal, in her September Gatestone article, “How Diversity Came to Mean ‘Downgrade the West’,” which discusses the degrading of college education to conform to politically correct subject matters to be studied, opens with
There was a time, within living memory, when the term multiculturalism was hardly known. More than twenty years ago, Peter Thiel, cofounder of PayPal and in late July speaker at the Republican National Convention in Cleveland, wrote a book with fellow Stanford alum David Sacks called The Diversity Myth: ‘Multiculturalism’ and the Politics of Intolerance at Stanford (1995).
The book’s title refers to the pretense that embracing “diversity” actually promotes diversity of all types, a claim commonly heard to this day. Thiel had been a student at Stanford when, in January 1987, demonstrators defending “the Rainbow Agenda” chanted “Hey hey, ho ho, Western Culture’s got to go!” This protest led to the infamous “revision” (i.e., suppression) of the Western Culture requirement at Stanford, replaced with a freshman sequence called Cultures, Ideas, and Values, mandating an emphasis on race, gender, and class.
Later in her article, Patal notes that
Furthermore, “multiculturalism” did not involve greater emphasis on mastering foreign languages or carefully studying cultures other than those of the English-speaking world. Instead, work in literature and culture programs was (and still is) done increasingly in English and focused on contemporary writers. Nor did multiculturalism, any more than the word diversity, mean familiarizing students with a diversity of views. Rather, as [Elizabeth] Fox-Genovese summarized it, it meant requiring students “to agree with or even applaud views and values that mock the values with which they have been reared.” And all this, she observed, was being accompanied by rampant grade inflation.
So, if anyone thought that “diversity” simply meant several individuals of various ethnic or cultural backgrounds being by happenstance squinched together into a group, or that “diversity” was similar to a bird aviary in which dozens of different species flitted around in an enclosed space, he would not be far off the mark. There have been dozens of TV and movie series and films that flaunt not only their racial diversity, but their cultural and sexual diversity, as well (i.e., the early and later manifestations of Star Trek).
A diversity-rich cast, albeit no Muslims
For example, The Walking Dead, at several points in its seven-Season-old broadcast, has featured blacks as well as whites, Koreans, Hispanics in leading and central roles, as well as Indians (or perhaps Pakastanis, it was never explained), “gender-breakers,” “mixed” couples, the disabled (in wheelchairs), and the “under-aged” (e.g., pre-teen children shooting guns at zombies and the living). The most recent Seasons of the series have introduced lesbian and gay couples, as well as overweight characters.
The most conspicuously absent group are Muslims; they appear neither as living survivors of the apocalypse nor as zombies, neither as bearded imams nor as women in burqas or hijabs. I do not think their absence is an oversight. I do not think it is a stretch of the imagination to assume that the producers were warned off casting characters as living or dead Muslims. Or perhaps, being so diversity-conscious, and sensitive to the sensitivities of Muslims, the producers decided not to “defame” Muslims or Islam with such risky casting, and warned themselves off the idea. I contacted Scott Gimple, The Walking Dead’s “show runner,” on his Facebook page, with the question, but have received no response.