https://www.spiked-online.com/2025/02/16/houellebecqs-annihilation-an-unlikely-antidote-to-nihilism/
French master Michel Houellebecq has said that his latest novel, Annihilation, will be his last. If that does prove to be true, his departure will deprive us of a rare literary voice.
There is simply no one quite like Houellebecq. Through his novels he is able to explore the mood of the times, our spiritual malaise, in a way few other writers can. Take his last great succès de scandale – his 2015 novel, Submission. It dramatised the self-induced decline of the West and the rise of Islamism. And it did so by convincingly presenting the seemingly impossible – an Islamist political party assuming governmental power in France – as something entirely predictable and chillingly banal. He painted a picture of a political and cultural elite all too eager to collaborate with and ultimately submit to an Islamist regime.
Submission quickly acquired a tragic poignancy. On 7 January 2015, the exact day the novel was due to be published in France, two French-born Islamist gunmen massacred the staff of satirical magazine Charlie Hebdo on the grounds it had insulted Islam. Houellebecq suspended all promotional activities and left Paris to lie low.
At the same time, in an echo of the themes of Submission, too few among the French political class were willing to stand up for free speech, a fundamental principle of Western liberal democracies. Instead, they criticised Charlie Hebdo for its mockery of Islam. French prime minister Manuel Valls denounced ‘hatred’ and ‘intolerance’ towards Islam and Muslims. Tellingly, he insisted that ‘France is not Michel Houellebecq’.
We’re now a decade on from the Charlie Hebdo massacre. Houellebecq’s Anéantir, originally published in January 2022, was finally translated into English and published as Annihilation in late 2024.
This delay in publishing the translation is striking. Houellebecq’s previous novel, Serotonin, was published in France in January 2019 and the English translation appeared just months later. Contractual difficulties reportedly played a role in the delay of Annihilation. But it’s hard not to suspect that the increasing provincialisation of the Anglosphere played a role, too. In the 1950s and 1960s, the films of François Truffaut and Jean-Luc Godard, or the novels of Françoise Sagan and Marguerite Duras, were part of the culture here as well as in France. Today, the latest French novels or films barely register in the English-speaking world.