http://www.americanthinker.com/2012/12/tarantinos_django_unchained.html
ALSO PLEASE READ ABOUT JAMIE FOXX, WHO CALLED OBAMA “OUR LORD AND SAVIOR” JOKING ABOUT “KILLING ALL THE WHITE PEOPLE IN HIS MOVIE”…
http://newsbusters.org/blogs/noel-sheppard/2012/12/10/jamie-foxx-jokes-about-killing-all-white-people-his-new-movie
Stars: Jamie Foxx, Leonardo DiCaprio, Samuel L. Jackson, Christoph Waltz, Kerry Washington, Don Johnson, Jonah Hill, Amber Tamblyn, Zoe Bell, James Remar, Walter Goggins, Robert Carradine, Bruce Dern, James Russo, Michael Parks, Franco Nero, Tom Savini, M.C. Gainey, Tom Wopat
Opening Christmas Day
Briefly, former dentist Dr. King Schultz (Christoph Waltz), recently turned lucrative pre-Civil War bounty hunter, buys the freedom of slave, Django (Jamie Foxx), training him in finding, hunting and killing the wanted villains he has been hired to bring to heel. The intent is to deputize Django, an expert marksman, as his aide de camp bounty hunter. Schultz is instead soon led to the site of Django’s enslaved wife (Kerry Washington) who is living under the ruthless domination of Calvin Candie, a high-living Machiavellian plantation owner.
Quentin Tarantino’s Django Unchained is a Weinstein avatar. It features the requisite sloppy buckets of scenic splatter, sometimes multiple draughts from the same “fire wall,” a dead body that serves as a guardway against a rifle, and 30-06 barrage for the protagonist, Django “Freeman,” plus the dispatch of every white person to appear on screen for longer than a cigarette draw, excessive evidences of modern-day sensibility back-retro’ed into 1848 (“two years before the Civil War,” we are legended pompously), a tapestry of evil over-depiction of the ills and debaucheries of the slave period. The PC Weinsteins and zealous bloodlusty Tarantino miss not a trick for the audience, amused and titillated by the winsome Christopher Waltz (the very same from the film this most resembles, Inglourious Basterds, for its untruthfulness).
We are, again, under a different director, being toasted over an Oliver Stone goblet of faux history. History as rewritten by nihilist jokers with an agenda. No gang of do-gooders rode in “to kill nazzies,” as Brad Pitt drawls in Basterds, just as no Django vision of justice and retribution rode the South astride a palomino, toting a Remington, with a perplexingly adorable German dentist-cum-bounty hunter.) Sensitive viewers are equally revolted by the excesses of polite rich company, represented by the arrogant-effete plantationer Leo DiCaprio and the noblesse not obliged Don Johnson as Big Daddy.