https://www.jns.org/opinion/americas-holocaust-failure-through-the-lens-of-21st-century-politics/?utm_source=Old+Daily+Syndicate&utm_campaign=d8b02fdf1d-
Ken Burns’s new documentary focuses on immigration law and anti-Semitism in ways that both illuminate and distort the lessons of history while largely giving a pass to FDR.
Every generation views history through the prism of its own experiences and interests. So, it was probably inevitable that when Ken Burns, America’s great documentary filmmaker, took up the story of the Holocaust, it would be told primarily in terms of ideas that resonate with the PBS audience for which it was produced. There is a great deal of truth and, as always with Burns’s films, brilliant visuals, moving witness testimony and powerful storytelling, in his “The U.S. and the Holocaust,” which premieres on Public Broadcasting stations on Sept. 18 and airs for three nights. But while made at the request of the U.S. Holocaust Memorial Museum and with the assistance of the University of Southern California’s Shoah Foundation, it is also a film very much of this political moment.
The narrative is framed primarily as one about immigration rights with events in Europe only gradually taking over the story over the course of the three two-hour-plus episodes. It begins with the Emma Lazarus poem on the Statue of Liberty and goes on to discussions of mass immigration in the 19th century, the restrictions and country quotas imposed during the 1920s. It relates the impact that immigration laws, as well as anti-immigrant and anti-Semitic sentiments on the U.S. failure to let in more than a small percentage of the Jews who sought escape from the death sentence that faced them in Nazi-controlled Europe.
It concludes with the passage of more liberal immigration laws in the 1960s and then a montage, including protests about the collapse of security at America’s southern border; former President Donald Trump’s demand that a border wall be built; the 2017 neo-Nazi march in Charlottesville, Va.; the 2018 Pittsburgh synagogue shooting; and then the Capitol riot on Jan. 6 , 2021. It ends with warnings by talking heads that America’s thin veneer of civilization could, like Germany’s, collapse more quickly than we think.
The inescapable conclusion is that Burns and his team are, as is the case with even the best of his films (and some of his efforts like “The Civil War,” “Baseball,” “New York” and “Jazz” are among the greatest documentaries ever produced), interested in both telling a compelling story and in reinforcing the pre-existing biases of public television networks’ liberal viewing audience and the issues that matter most to them.
Anti-Semitism isn’t merely hateful sentiments; it’s a political organizing principle that has attached itself to a number of different ideologies.