https://www.frontpagemag.com/standing-up-to-trans-tyrants/
Now 46 years old, the British choreographer Rosie Kay founded the Rosie Kay Dance Company in 2004 and, to quote the BBC, “has been making challenging, socially committed and political work for decades.” She’s the kind of artist, in other words, that the left-wing media love to celebrate. In August 2020, for example, when she premiered 5 Soldiers – for which she’d prepared by embedding herself in an infantry battalion – the Guardian reviewer summed up his verdict as follows: “The life of a soldier is already full of choreography, and Kay works with that to make dance that feels rooted in reality.” In May 2021, the Guardian’s critic described her dance piece Adult Female Dancer, about “a woman’s struggle to define herself, inside and out,” as “superb.” And in September 2021, her Romeo + Juliet was praised by not one but two Guardian writers, both of whom used the word “brilliant.”
Then, quite suddenly, Kay’s star fell. On the evening of August 28 of last year, she held a dinner party at her home for the Romeo + Juliet troupe, which skewed very young. It began well enough. The wine, by all accounts, flowed. But when Kay was asked about her next project, an adaptation of Virginia Woolf’s 1928 novel Orlando, the conservation entered what is, in high-culture circles in the year 2022, exceedingly dangerous territory. Since Orlando is about a man who changes sex mysteriously, it was no surprise that mention of it led to a discussion of gender. Two of Kay’s dancers, as it happened, identify as “non-binary.” She asked them about that.
“Initially,” one of the dancers later told the BBC, “I was OK with her asking about why we identify as non-binary. It’s OK to be a bit curious. But her repeated questioning stepped into micro-aggression territory, then into something more potent. If you’ve seen as many YouTube videos by self-identified transgender people as I have, you know that asking questions about their pronouns and the like is more than welcome until, suddenly, it isn’t.