http://www.steynonline.com/5007/it-not-our-world
There is a great deal of ruin in a nation, and even more of it in the nation’s publishing catalogue. Robert Kagan has noticed the resurgence of declinism; he doesn’t care for it; and The World America Made is his response to it. For the record, I am not a declinist: I’m way beyond that, and am more of a collapsist, as may be adjudged from the title of my own contribution to the genre, After America, and even more from its subtitle, “Get Ready for Armageddon.” As I’m always at pains to point out, an author doesn’t get into the apocalyptic doom-mongering biz because he wants it to happen. As anyone who’s tried enforcing his copyright in China or the old Soviet Union or your average nickel-‘n’-dime Third World basket case well knows, in a world without Western civilization the royalty checks are going to be a lot smaller. So you write the head-for-the-hills stuff in hopes of preventing the need to.
Similarly, Kagan’s entry into the field is designed to help ensure that it doesn’t happen. He is an eminent thinker, consulted by Romney, quoted favorably by Obama, but don’t hold either against him. I have a high regard for him, too. In the early years of the century, he came up with a line that, as geopolitical paradigmatic drollery goes, is better than Jon Stewart’s writing staff could muster: “Americans are from Mars, Europeans are from Venus.” Granted, even at the time, one was aware that many Americans were trending very Venusian, but the gag was worth it just for the way it infuriated all the right Continentals. Nothing so deftly distilled emerges from The World America Made, an extended essay that paints with a very broad brush. This time around, Kagan hangs his thesis on the film It’s a Wonderful Life, although he’s not quite confident enough in the conceit to call the book It’s a Wonderful World. Instead, he offers section headings like “Meet George Bailey: What Is American about the American World Order?”